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Rosenthal, inscribed and numbered. // Jahresteller by Günther Uecker, created in 1975, is a sculptural object made of glass. This piece exemplifies Uecker's fascination with form and light. The transparent glass forms a circular, plate-like structure with a central raised element that resembles a ripple or wave, giving the piece a sense of fluidity and movement despite its solid nature. The clarity of the glass allows for an intricate play of light and shadow, emphasizing the minimalist aesthetic. This work reflects Uecker’s continued exploration of texture, light, and the material's interaction with space, creating a dynamic visual experience.
Jahresteller, 1975
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Medium
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35.5 x 35.5 cm
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Details
Artist
Styles
Rosenthal, inscribed and numbered. // Jahresteller by Günther Uecker, created in 1975, is a sculptural object made of glass. This piece exemplifies Uecker's fascination with form and light. The transparent glass forms a circular, plate-like structure with a central raised element that resembles a ripple or wave, giving the piece a sense of fluidity and movement despite its solid nature. The clarity of the glass allows for an intricate play of light and shadow, emphasizing the minimalist aesthetic. This work reflects Uecker’s continued exploration of texture, light, and the material's interaction with space, creating a dynamic visual experience.
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.