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Original photograph, hand signed by Christo and by W Volz (Christo's photographer) // Christo and Jeanne-Claude’s The Gates Rondell is a photograph documenting their famous 2005 installation in New York’s Central Park. This limited edition piece, signed by Christo and photographer Wolfgang Volz, captures the striking contrast of bright orange fabric gates against the wintery landscape. The project featured 7,503 gates with flowing orange fabric, installed along 23 miles of park pathways, creating a vibrant wave of color amidst bare trees and snow. This temporary installation invited viewers to experience the park anew, emphasizing movement, light, and color within the natural setting, and encouraging reflections on the transformative power of art in public spaces.
The Gates Rondell, 2005
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Original photograph, hand signed by Christo and by W Volz (Christo's photographer) // Christo and Jeanne-Claude’s The Gates Rondell is a photograph documenting their famous 2005 installation in New York’s Central Park. This limited edition piece, signed by Christo and photographer Wolfgang Volz, captures the striking contrast of bright orange fabric gates against the wintery landscape. The project featured 7,503 gates with flowing orange fabric, installed along 23 miles of park pathways, creating a vibrant wave of color amidst bare trees and snow. This temporary installation invited viewers to experience the park anew, emphasizing movement, light, and color within the natural setting, and encouraging reflections on the transformative power of art in public spaces.
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Currently Not Available
What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.