Sam Francis

Untitled, 1984

106.7 X 73 inch

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Graphein XI, Ufer des Toten Meeres

Günther Uecker Graphein VII embossed print with curved rows of raised dots on white paper resembling wave patterns or mythic journey paths
Günther Uecker Graphein VII embossed print with curved rows of raised dots on white paper resembling wave patterns or mythic journey paths
Günther Uecker Graphein VII embossed print with curved rows of raised dots on white paper resembling wave patterns or mythic journey paths

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Embossed prints, on Eskulan paper, with accompanying text sheet. Signed, dated, and numbered. Co-published by Dorothea van der Koelen, Mainz and Edouard Weiss, Paris. Literature: Van der Koelen, Dorothea and Martin (eds.): Günther Uecker - Opus Liber, Directory of Bibliophile Books and Works, Mainz 2007, Cat. No. L 0203, ill. pp. 507-511. Graphein VII, Reise Kadmos (2002) by Günther Uecker is an elegant embossed print that forms part of his contemplative Graphein series, created on handmade Eskulan paper. This work features a series of arcing, wave-like rows of raised dots that traverse the composition in gentle curves. The title, Journey of Kadmos, references the mythological founder of Thebes, suggesting themes of exploration, destiny, and cultural origin—qualities echoed in the quiet rhythm and texture of the print. Uecker abstains from using ink or pigment, relying instead on the tactile language of embossing, where light and shadow become the primary visual elements. The subtle gradations and spacing of the dots suggest tides, sediment layers, or perhaps topographical echoes of a mythic path. It invites viewers into a meditative space, emphasizing sensory perception and introspection. Co-published by Dorothea van der Koelen in Mainz and Edouard Weiss in Paris, the edition is limited to 120 plus additional artist’s copies, highlighting Uecker’s continued pursuit of spiritual and material depth through minimalist means.

Artwork Copyright © Gunther Uecker

Gunther Uecker

Graphein VII, Reise Kadmos, 2002

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70 x 50   cm
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Details

Artist

Styles

Embossed prints, on Eskulan paper, with accompanying text sheet. Signed, dated, and numbered. Co-published by Dorothea van der Koelen, Mainz and Edouard Weiss, Paris. Literature: Van der Koelen, Dorothea and Martin (eds.): Günther Uecker - Opus Liber, Directory of Bibliophile Books and Works, Mainz 2007, Cat. No. L 0203, ill. pp. 507-511. Graphein VII, Reise Kadmos (2002) by Günther Uecker is an elegant embossed print that forms part of his contemplative Graphein series, created on handmade Eskulan paper. This work features a series of arcing, wave-like rows of raised dots that traverse the composition in gentle curves. The title, Journey of Kadmos, references the mythological founder of Thebes, suggesting themes of exploration, destiny, and cultural origin—qualities echoed in the quiet rhythm and texture of the print. Uecker abstains from using ink or pigment, relying instead on the tactile language of embossing, where light and shadow become the primary visual elements. The subtle gradations and spacing of the dots suggest tides, sediment layers, or perhaps topographical echoes of a mythic path. It invites viewers into a meditative space, emphasizing sensory perception and introspection. Co-published by Dorothea van der Koelen in Mainz and Edouard Weiss in Paris, the edition is limited to 120 plus additional artist’s copies, highlighting Uecker’s continued pursuit of spiritual and material depth through minimalist means.

Artwork Copyright © Gunther Uecker
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Günther Uecker’s Baum. Kunstpranger, mixed media sculpture, 1984. Tree slice embedded with nails, accompanied by a charcoal drawing on a double sheet.

Gunther Uecker

Baum. Kunstpranger, 1984

Sculpture / Object

Mixed Media

EUR 12,950

Günther Uecker's Helles Nagelkreuz bronze cross sculpture with wrapped textures resembling nails and distressed metallic finish.

Gunther Uecker

Helles Nagelkreuz, 2017

Sculpture / Object

Bronze

EUR 49,500

Günther Uecker's Jahresteller, glass sculpture; circular glass plate with a central raised ripple-like element, transparent and minimalist.

Gunther Uecker

Jahresteller, 1975

Sculpture / Object

Glass

EUR 1,800

Günther Uecker Graphein I embossed print with grid of raised dots disrupted by wave pattern evoking memory and clay inscription

Gunther Uecker

Graphein I, Gedächtnis Des Tons, 2002

Limited Edition Print

Embossing

EUR 12,000

Günther Uecker Graphein II embossed print with dense undulating field of raised dots on white paper referencing Shang Dynasty symbols

Gunther Uecker

Graphein II, Shang Dynastie, 2002

Limited Edition Print

Embossing

EUR 12,000

Günther Uecker Graphein VII embossed print with curved rows of raised dots on white paper resembling wave patterns or mythic journey paths

Gunther Uecker

Graphein VII, Reise Kadmos, 2002

Limited Edition Print

Embossing

EUR 12,000

Günther Uecker Graphein XI embossed print with vertical wave-like field of raised dots on white paper evoking the Dead Sea’s quiet shore

Gunther Uecker

Graphein XI, Ufer Des Toten Meeres, 2002

Limited Edition Print

Embossing

EUR 12,000

Günther Uecker Graphein XII embossed print with spiral pattern of raised dots on white paper suggesting geometry and tactile rhythm

Gunther Uecker

Graphein XII, Kreise, Dreiecke, 2002

Limited Edition Print

Embossing

EUR 12,000

Günther Uecker Graphein VIII embossed print with radiating pattern of raised white dots on handmade paper suggesting tactility and light

Gunther Uecker

Graphein VIII, Christen Ägypten, 2002

Limited Edition Print

Embossing

EUR 12,000

Günther Uecker Sarajewo 11 screenprint with dense black overlapping strokes resembling nails and chaotic destruction on pale background

Gunther Uecker

Sarajewo 11, 2005

Limited Edition Print

Screen-print

EUR 1,280

Günther Uecker Sarajewo 15 screenprint with small cluster of black strokes centered on pale background, evoking fragility and conflict

Gunther Uecker

Sarajewo 15, 2005

Limited Edition Print

Screen-print

EUR 1,280

Günther Uecker Sarajewo 17 screenprint with dense black brushstrokes evoking debris, violence, and abstract emotional trauma

Gunther Uecker

Sarajewo 17, 2005

Limited Edition Print

Screen-print

EUR 1,280

Günther Uecker Sarajewo 6 screenprint with chaotic black brushstrokes on white background suggesting trauma and emotional unrest

Gunther Uecker

Sarajewo 6, 2005

Limited Edition Print

Screen-print

EUR 1,280

Günther Uecker Sarajewo 18 screenprint with expressive black brushstrokes on white background referencing war and memory

Gunther Uecker

Sarajewo 18, 2005

Limited Edition Print

Screen-print

EUR 1,280

Günther Uecker Ouroboros 05 terragraph with sand shows a textured brown circular brushstroke on light canvas.

Gunther Uecker

Ouroboros 05, 2018

Limited Edition Print

Mixed Media

Inquire For Price

Günther Uecker’s Untitled (nails), embossed print, 1992. Embossed nails arranged randomly on handmade paper, hand-painted with acrylic paint.

Gunther Uecker

Untitled (nails), 1992

Limited Edition Print

Mixed Media

EUR 23,500

Günther Uecker's Verletzungen-Verbindungen screen print with intersecting dark lines on chamois-colored paper, creating chaotic patterns.

Gunther Uecker

Verletzungen-Verbindungen, 1998

Limited Edition Print

Screen-print

EUR 1,890

Günther Uecker, Hiob Seite 24, silkscreen, bold abstract triangle amid dark brushstrokes, symbolizing resilience and struggle.

Gunther Uecker

Hiob Seite 24

Limited Edition Print

Silkscreen

EUR 1,800

Günther Uecker, Hiob Seite 16, silkscreen, bold black brushstrokes creating chaotic and intense abstract composition.

Gunther Uecker

Hiob Seite 16

Limited Edition Print

Silkscreen

EUR 1,800

Günther Uecker, Hiob Seite 25, silkscreen, chaotic black brushstrokes on white, intense composition symbolizing struggle.

Gunther Uecker

Hiob Seite 25

Limited Edition Print

Silkscreen

EUR 1,800

Günther Uecker, Hiob Seite 36, silkscreen, chaotic black brushstrokes with streaks suggesting movement and tension, abstract composition.

Gunther Uecker

Hiob Seite 36

Limited Edition Print

Silkscreen

EUR 1,800

Günther Uecker's Ouroboros #12, terragraph with sand; circular ochre shape with textured, gestural strokes on canvas.

Gunther Uecker

Ouroboros #12, 2018

Limited Edition Print

Sand

EUR 8,000

Günther Uecker's Ouroboros #9, terragraph with sand on canvas; abstract circular sand pattern on a beige background.

Gunther Uecker

Ouroboros #9, 2018

Limited Edition Print

Sand

EUR 8,000

Günther Uecker's Ouroboros #7, sand on canvas; circular, swirling patterns symbolizing infinity on textured surface.

Gunther Uecker

Ouroboros #7, 2018

Limited Edition Print

Sand

EUR 8,000

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What is ‘light and space’?
Artwork by James Turrell

What is ‘light and space’?

The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.

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Günther Uecker Graphein VII embossed print with curved rows of raised dots on white paper resembling wave patterns or mythic journey paths

Gunther Uecker

Graphein VII, Reise Kadmos, 2002

Limited Edition Print

Embossing

EUR 12,000

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