One of his most acclaimed exhibitions was ‘Proposition Monochrome; Blue Epoch’ in which Klein exhibited 11 monochrome canvases, all painted identically using an ultramarine pigment and suspended in ‘Rhodopas’ - a synthetic resin that Klein described as ‘The Medium’;
« The dominant invades the entire picture, as it were. In this way I seek to individualize the color, because I have come to believe that there is a living world of each color and I express these worlds. »
Yves Klein
interestingly, each canvas was priced differently, fulfilling Klein’s aim to have viewers see something unique in a canvas that another buyer did not - the blue used for this work was later trademarked by Klein as International Klein Blue. Displaying a
Read More One of his most acclaimed exhibitions was ‘Proposition Monochrome; Blue Epoch’ in which Klein exhibited 11 monochrome canvases, all painted identically using an ultramarine pigment and suspended in ‘Rhodopas’ - a synthetic resin that Klein described as ‘The Medium’;
« The dominant invades the entire picture, as it were. In this way I seek to individualize the color, because I have come to believe that there is a living world of each color and I express these worlds. »
Yves Klein
interestingly, each canvas was priced differently, fulfilling Klein’s aim to have viewers see something unique in a canvas that another buyer did not - the blue used for this work was later trademarked by Klein as International Klein Blue. Displaying a disdain for convention throughout his career, Klein exhibited a number of unorthodox works – The Void was an exhibition that consisted of an almost-bare room featuring only a large cabinet – the window was painted blue and a blue curtain was hung in the entrance of the lobby; 3000 people queued up to be allowed entrance to this empty room.
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