Sam Francis

Untitled, 1984

106.7 X 73 inch

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Graphein I, Gedächtnis des Tons

Günther Uecker Souvenir for Verheyen wooden box sculpture with protruding metal spikes on top and sides, edition of 18

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Wooden box with spikes. Published by Edition Quintus, Antwerp. Souvenir for Verheyen by Günther Uecker, created in 1989, is a sculptural object crafted from wood and embedded with metal spikes, measuring 30 x 9.5 x 9.5 cm. Part of a limited edition of 18, this work pays homage to fellow Zero Group artist Otto Piene and reflects Uecker’s enduring exploration of texture, rhythm, and energy through the tactile language of nails. The seemingly violent yet precise insertion of spikes evokes tension between aggression and control, transforming an ordinary wooden box into a charged aesthetic statement. Uecker’s use of repetitive materials and minimalist form aligns with post-war German abstraction and his meditative artistic practice.

Artwork Copyright © Gunther Uecker

Gunther Uecker

Souvenir for Verheyen, 1989

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30 x 9.5 X 9.5   cm
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Details

Artist

Styles

Wooden box with spikes. Published by Edition Quintus, Antwerp. Souvenir for Verheyen by Günther Uecker, created in 1989, is a sculptural object crafted from wood and embedded with metal spikes, measuring 30 x 9.5 x 9.5 cm. Part of a limited edition of 18, this work pays homage to fellow Zero Group artist Otto Piene and reflects Uecker’s enduring exploration of texture, rhythm, and energy through the tactile language of nails. The seemingly violent yet precise insertion of spikes evokes tension between aggression and control, transforming an ordinary wooden box into a charged aesthetic statement. Uecker’s use of repetitive materials and minimalist form aligns with post-war German abstraction and his meditative artistic practice.

Artwork Copyright © Gunther Uecker
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Günther Uecker’s Baum. Kunstpranger, mixed media sculpture, 1984. Tree slice embedded with nails, accompanied by a charcoal drawing on a double sheet.

Gunther Uecker

Baum. Kunstpranger, 1984

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Mixed Media

EUR 12,950

Günther Uecker's Helles Nagelkreuz bronze cross sculpture with wrapped textures resembling nails and distressed metallic finish.

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Helles Nagelkreuz, 2017

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EUR 49,500

Günther Uecker's Jahresteller, glass sculpture; circular glass plate with a central raised ripple-like element, transparent and minimalist.

Gunther Uecker

Jahresteller, 1975

Sculpture / Object

Glass

EUR 1,620

Günther Uecker Souvenir for Verheyen wooden box sculpture with protruding metal spikes on top and sides, edition of 18

Gunther Uecker

Souvenir For Verheyen, 1989

Sculpture / Object

Mixed Media

GBP 15,000 - 20,000

Günther Uecker Graphein I embossed print with grid of raised dots disrupted by wave pattern evoking memory and clay inscription

Gunther Uecker

Graphein I, Gedächtnis Des Tons, 2002

Limited Edition Print

Embossing

EUR 12,000

Günther Uecker Graphein II embossed print with dense undulating field of raised dots on white paper referencing Shang Dynasty symbols

Gunther Uecker

Graphein II, Shang Dynastie, 2002

Limited Edition Print

Embossing

EUR 12,000

Günther Uecker Graphein VII embossed print with curved rows of raised dots on white paper resembling wave patterns or mythic journey paths

Gunther Uecker

Graphein VII, Reise Kadmos, 2002

Limited Edition Print

Embossing

EUR 12,000

Günther Uecker Graphein XI embossed print with vertical wave-like field of raised dots on white paper evoking the Dead Sea’s quiet shore

Gunther Uecker

Graphein XI, Ufer Des Toten Meeres, 2002

Limited Edition Print

Embossing

EUR 12,000

Günther Uecker Graphein XII embossed print with spiral pattern of raised dots on white paper suggesting geometry and tactile rhythm

Gunther Uecker

Graphein XII, Kreise, Dreiecke, 2002

Limited Edition Print

Embossing

EUR 12,000

Günther Uecker Graphein VIII embossed print with radiating pattern of raised white dots on handmade paper suggesting tactility and light

Gunther Uecker

Graphein VIII, Christen Ägypten, 2002

Limited Edition Print

Embossing

EUR 12,000

Günther Uecker Sarajewo 15 screenprint with small cluster of black strokes centered on pale background, evoking fragility and conflict

Gunther Uecker

Sarajewo 15, 2005

Limited Edition Print

Screen-print

EUR 1,280

Günther Uecker Sarajewo 6 screenprint with chaotic black brushstrokes on white background suggesting trauma and emotional unrest

Gunther Uecker

Sarajewo 6, 2005

Limited Edition Print

Screen-print

EUR 1,280

Günther Uecker Ouroboros 05 terragraph with sand shows a textured brown circular brushstroke on light canvas.

Gunther Uecker

Ouroboros 05, 2018

Limited Edition Print

Mixed Media

Inquire For Price

Günther Uecker's Verletzungen-Verbindungen screen print with intersecting dark lines on chamois-colored paper, creating chaotic patterns.

Gunther Uecker

Verletzungen-Verbindungen, 1998

Limited Edition Print

Screen-print

EUR 1,890

Günther Uecker, Hiob Seite 24, silkscreen, bold abstract triangle amid dark brushstrokes, symbolizing resilience and struggle.

Gunther Uecker

Hiob Seite 24

Limited Edition Print

Silkscreen

EUR 1,800

Günther Uecker, Hiob Seite 16, silkscreen, bold black brushstrokes creating chaotic and intense abstract composition.

Gunther Uecker

Hiob Seite 16

Limited Edition Print

Silkscreen

EUR 1,800

Günther Uecker, Hiob Seite 25, silkscreen, chaotic black brushstrokes on white, intense composition symbolizing struggle.

Gunther Uecker

Hiob Seite 25

Limited Edition Print

Silkscreen

EUR 1,800

Günther Uecker's Ouroboros #12, terragraph with sand; circular ochre shape with textured, gestural strokes on canvas.

Gunther Uecker

Ouroboros #12, 2018

Limited Edition Print

Sand

EUR 8,000

Günther Uecker's Ouroboros #9, terragraph with sand on canvas; abstract circular sand pattern on a beige background.

Gunther Uecker

Ouroboros #9, 2018

Limited Edition Print

Sand

EUR 8,000

Günther Uecker's Ouroboros #7, sand on canvas; circular, swirling patterns symbolizing infinity on textured surface.

Gunther Uecker

Ouroboros #7, 2018

Limited Edition Print

Sand

EUR 8,000

Günther Uecker's Ouroboros #5, terragraph with sand; golden circular sand patterns on neutral canvas suggesting cycles and eternity.

Gunther Uecker

Ouroboros #5, 2018

Limited Edition Print

Sand

EUR 8,000

Günther Uecker's Ouroboros #3, terragraph with sand; abstract circular swirl in golden-brown, symbolizing infinity on canvas and wood.

Gunther Uecker

Ouroboros #3, 2018

Limited Edition Print

Sand

EUR 8,000

Günther Uecker Ouroboros natural sand screen print with textured sand in a large circular form, symbolizing life cycle, from 2018.

Gunther Uecker

Ouroboros (natural Sand), 2018

Limited Edition Print

Screen-print

EUR 22,000

Günther Uecker's Ouroboros #11 terragraph with sand on canvas showing swirling, earthy strokes symbolizing cyclical infinity.

Gunther Uecker

Ouroboros #11, 2018

Limited Edition Print

Sand

EUR 8,000

Günther Uecker's Ouroboros #10 terragraph with sand on canvas depicting an earthy-toned, incomplete circular form symbolizing cycles.

Gunther Uecker

Ouroboros #10, 2018

Limited Edition Print

Sand

EUR 8,000

Günther Uecker’s Untitled (nails), embossed print, 1992. Embossed nails arranged randomly on handmade paper, hand-painted with acrylic paint.

Gunther Uecker

Untitled (nails), 1992

Limited Edition Print

Mixed Media

Currently Not Available

Günther Uecker's Medea VII, etching; minimalist black lines and dots on a white background forming an elongated, shield-like shape.

Gunther Uecker

Medea VII, 1996

Limited Edition Print

Etching

Currently Not Available

Günther Uecker, Hiob Seite 04, silkscreen, dynamic black brushstrokes on white background, suggesting abstract mountains or waves.

Gunther Uecker

Hiob Seite 04

Limited Edition Print

Silkscreen

Currently Not Available

Günther Uecker, Hiob Seite 36, silkscreen, chaotic black brushstrokes with streaks suggesting movement and tension, abstract composition.

Gunther Uecker

Hiob Seite 36

Limited Edition Print

Silkscreen

Currently Not Available

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What is the Zero Movement?
Artwork by Gunther Uecker

What is the Zero Movement?

ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.

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