Details
Artist
Styles
Tree slice, nailed (wood, glue, ash, nails, black paint) and charcoal drawing on double sheet - Signed and numbered // Günther Uecker’s Baum. Kunstpranger (1984) is a compelling mixed media sculpture that combines natural elements with industrial materials, showcasing Uecker's signature use of nails. The artwork features a slice of tree embedded with nails in an abstract arrangement, symbolizing the tension between nature and human intervention. The rough texture of the wood and ash contrasts with the sharp, metallic nails, creating a tactile and visually dynamic piece. Accompanied by a charcoal drawing on a double sheet, the work evokes themes of destruction, creation, and transformation. Uecker’s use of nails, often seen as a metaphor for pain or human impact on the environment, invites viewers to reflect on the fragility of nature and the consequences of human actions.
Baum. Kunstpranger, 1984
form
Medium
Size
36.5 x 28 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
Tree slice, nailed (wood, glue, ash, nails, black paint) and charcoal drawing on double sheet - Signed and numbered // Günther Uecker’s Baum. Kunstpranger (1984) is a compelling mixed media sculpture that combines natural elements with industrial materials, showcasing Uecker's signature use of nails. The artwork features a slice of tree embedded with nails in an abstract arrangement, symbolizing the tension between nature and human intervention. The rough texture of the wood and ash contrasts with the sharp, metallic nails, creating a tactile and visually dynamic piece. Accompanied by a charcoal drawing on a double sheet, the work evokes themes of destruction, creation, and transformation. Uecker’s use of nails, often seen as a metaphor for pain or human impact on the environment, invites viewers to reflect on the fragility of nature and the consequences of human actions.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
Gunther Uecker
Baum. Kunstpranger, 1984
Sculpture / Object
Mixed Media
EUR 10,800
Gunther Uecker
Helles Nagelkreuz, 2017
Sculpture / Object
Bronze
EUR 49,500
Gunther Uecker
Jahresteller, 1975
Sculpture / Object
Glass
EUR 1,620
Gunther Uecker
Graphein III, Ahirom Von Byblos, 2002
Limited Edition Print
Embossing
EUR 12,000
Gunther Uecker
Souvenir For Verheyen, 1989
Sculpture / Object
Mixed Media
GBP 15,000 - 20,000
Gunther Uecker
Graphein VII, Reise Kadmos, 2002
Limited Edition Print
Embossing
EUR 12,000
Gunther Uecker
Graphein VIII, Christen Ägypten, 2002
Limited Edition Print
Embossing
EUR 12,000
Gunther Uecker
Sarajewo 6, 2005
Limited Edition Print
Screen-print
EUR 1,280
Gunther Uecker
Ouroboros 05, 2018
Limited Edition Print
Mixed Media
EUR 10,000
Gunther Uecker
Verletzungen-Verbindungen, 1998
Limited Edition Print
Screen-print
EUR 1,980
Gunther Uecker
Hiob Seite 16
Limited Edition Print
Silkscreen
EUR 1,800
Gunther Uecker
Ouroboros #12, 2018
Limited Edition Print
Sand
EUR 8,000
Gunther Uecker
Ouroboros #9, 2018
Limited Edition Print
Sand
EUR 8,000
Gunther Uecker
Ouroboros #7, 2018
Limited Edition Print
Sand
EUR 8,000
Gunther Uecker
Ouroboros #5, 2018
Limited Edition Print
Sand
EUR 8,000
Gunther Uecker
Ouroboros #3, 2018
Limited Edition Print
Sand
EUR 8,000
Gunther Uecker
Ouroboros (natural Sand), 2018
Limited Edition Print
Screen-print
EUR 22,000
Gunther Uecker
Ouroboros #11, 2018
Limited Edition Print
Sand
EUR 8,000
Gunther Uecker
Ouroboros #10, 2018
Limited Edition Print
Sand
EUR 8,000
Gunther Uecker
Hiob Seite 24
Limited Edition Print
Silkscreen
Currently Not Available
Gunther Uecker
Hiob Seite 25
Limited Edition Print
Silkscreen
Currently Not Available
Related Artists
Related Articles
Popular, Collecting - February 21, 2025
Sculpture 101: From Clay to Bronze – How Sculptures Are Made
Discover the art of sculpture! Explore traditional techniques like carving and bronze casting, plus modern innovations like 3D printing. A journey in creativity! Read More
What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
