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Screenprint in colors on Arches paper // Violent Violins I by Arman Fernandez, a screenprint from 1977, captures the artist's fascination with musical instruments and destruction as forms of expression. This limited edition piece on Arches paper, measuring 30 x 22 cm, features an abstracted depiction of violins rendered in dynamic splashes of black and red. The chaotic arrangement and fragmented forms evoke a sense of explosive energy, as if the instruments are simultaneously being played and shattered. Fernandez's work challenges traditional representations of objects, inviting viewers to reconsider their perceptions of music, art, and transformation through deconstruction.
Violent Violins I, 1977
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76.2 x 55.9 cm
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Screenprint in colors on Arches paper // Violent Violins I by Arman Fernandez, a screenprint from 1977, captures the artist's fascination with musical instruments and destruction as forms of expression. This limited edition piece on Arches paper, measuring 30 x 22 cm, features an abstracted depiction of violins rendered in dynamic splashes of black and red. The chaotic arrangement and fragmented forms evoke a sense of explosive energy, as if the instruments are simultaneously being played and shattered. Fernandez's work challenges traditional representations of objects, inviting viewers to reconsider their perceptions of music, art, and transformation through deconstruction.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
