Sam Francis

Untitled, 1984

106.7 X 73 inch

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Violin

Arman Fernandez's Candy, 1970, assemblage of doll legs with fabric skirts in plexiglass box, creating a chaotic and nostalgic visual effect.
Arman Fernandez's Candy, 1970, assemblage of doll legs with fabric skirts in plexiglass box, creating a chaotic and nostalgic visual effect.
Arman Fernandez's Candy, 1970, assemblage of doll legs with fabric skirts in plexiglass box, creating a chaotic and nostalgic visual effect.

Assemblage of doll legs in almost paste, sugar and fabric in plexiglass, with accompanying lithograph (measuring 45x62 cm) // Candy by Arman Fernandez, created in 1970, is an assemblage sculpture encapsulating a collection of doll legs encased in a plexiglass box. The composition is both playful and unsettling, featuring the doll legs adorned with miniature fabric skirts and painted toenails, arranged chaotically within the transparent enclosure. The use of materials such as sugar, fabric, and almost paste adds texture and evokes a sense of fragility and nostalgia. Fernandez’s work often explores themes of accumulation and object repetition, and this piece is no exception, transforming mundane objects into a provocative commentary on consumer culture and femininity. Measuring 33 x 26.5 x 8 cm, the piece comes with an accompanying lithograph that complements the assemblage. The visual impact of the sculpture is enhanced by its transparent casing, which allows the viewer to inspect the layered elements from all angles, emphasizing the chaotic yet structured nature of the composition.

Artwork Copyright © Fernandez Arman

Candy, 1970

form

Medium

Edition

Assemblage of doll legs in almost paste, sugar and fabric in plexiglass, with accompanying lithograph (measuring 45x62 cm) // Candy by Arman Fernandez, created in 1970, is an assemblage sculpture encapsulating a collection of doll legs encased in a plexiglass box. The composition is both playful and unsettling, featuring the doll legs adorned with miniature fabric skirts and painted toenails, arranged chaotically within the transparent enclosure. The use of materials such as sugar, fabric, and almost paste adds texture and evokes a sense of fragility and nostalgia. Fernandez’s work often explores themes of accumulation and object repetition, and this piece is no exception, transforming mundane objects into a provocative commentary on consumer culture and femininity. Measuring 33 x 26.5 x 8 cm, the piece comes with an accompanying lithograph that complements the assemblage. The visual impact of the sculpture is enhanced by its transparent casing, which allows the viewer to inspect the layered elements from all angles, emphasizing the chaotic yet structured nature of the composition.

Artwork Copyright © Fernandez Arman

Fernandez Arman

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Limited Edition Print

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Limited Edition Print

Lithograph

EUR 640

Fernandez Arman

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Limited Edition Print

Lithograph

EUR 640

Fernandez Arman

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Limited Edition Print

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Fernandez Arman

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Limited Edition Print

Screen-print

Inquire For Price

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Limited Edition Print

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EUR 1,290

Fernandez Arman

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Limited Edition Print

Lithograph

Inquire For Price

Fernandez Arman

Passe Temps, 1971

Limited Edition Print

Mixed Media

EUR 4,000

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Painting

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EUR 34,000

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Sculpture / Object

Mixed Media

Currently Not Available

Fernandez Arman

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Limited Edition Print

Screen-print

Currently Not Available

Fernandez Arman

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Sculpture / Object

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Currently Not Available

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Limited Edition Print

Screen-print

Currently Not Available

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What is dada?

Also known as Dadaism, Dada was a literary and artistic movement that began in 1916 in Zurich, Switzerland. It emerged as a rejection of rationalism and nationalism, which were seen as contributing factors to World War I. The movement had political undertones and was strongly anti-war. Dada activities included demonstrations, gatherings, and the publication of literary and art journals that explored cultural and political topics.

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