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Catalogue raisonné WCC.572. Multitud by Antonio Saura is a 1993 screenprint that reflects the artist’s recurring exploration of the human crowd as a psychological and social motif. The composition is densely filled with overlapping faces drawn in energetic black lines and shaded with tones of grey and white. Each face appears distorted, with exaggerated eyes, angular forms, and expressive marks, creating a chaotic yet rhythmic pattern across the surface. Rather than depicting identifiable individuals, Saura presents the crowd as a collective mass of fragmented identities, emphasizing tension, emotion, and the complexity of human presence. This approach aligns with Saura’s broader practice of transforming figurative imagery into powerful expressionist compositions. The screenprint measures 63.4 × 46.9 cm, was produced in an edition of 111, and is recorded in the catalogue raisonné under reference WCC.572.
Multitud, 1993
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63.4 x 46.9 cm
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Details
Artist
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Catalogue raisonné WCC.572. Multitud by Antonio Saura is a 1993 screenprint that reflects the artist’s recurring exploration of the human crowd as a psychological and social motif. The composition is densely filled with overlapping faces drawn in energetic black lines and shaded with tones of grey and white. Each face appears distorted, with exaggerated eyes, angular forms, and expressive marks, creating a chaotic yet rhythmic pattern across the surface. Rather than depicting identifiable individuals, Saura presents the crowd as a collective mass of fragmented identities, emphasizing tension, emotion, and the complexity of human presence. This approach aligns with Saura’s broader practice of transforming figurative imagery into powerful expressionist compositions. The screenprint measures 63.4 × 46.9 cm, was produced in an edition of 111, and is recorded in the catalogue raisonné under reference WCC.572.
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
