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Catalogue raisonné WCC.600. El caballero by Antonio Saura is a 1996 lithograph and zincograph that continues the artist’s expressive reinterpretation of historical and symbolic figures. The composition presents a stylized bust of a knight wearing a cylindrical hat and structured collar, set against a dark background. Saura constructs the face with energetic black lines that fragment the features into swirling forms and exaggerated eyes, creating a mask-like expression that feels both intense and unstable. The combination of simplified color areas and gestural drawing emphasizes psychological tension rather than realistic portraiture. Throughout his career, Saura frequently transformed historical archetypes into raw, expressive images that reflect broader themes of identity and human anxiety. This work, measuring 60 × 45 cm, was produced in a small edition of 30 and is recorded in the catalogue raisonné under reference WCC.600.
El caballero, 1996
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Medium
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60 x 45 cm
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Details
Artist
Styles
Catalogue raisonné WCC.600. El caballero by Antonio Saura is a 1996 lithograph and zincograph that continues the artist’s expressive reinterpretation of historical and symbolic figures. The composition presents a stylized bust of a knight wearing a cylindrical hat and structured collar, set against a dark background. Saura constructs the face with energetic black lines that fragment the features into swirling forms and exaggerated eyes, creating a mask-like expression that feels both intense and unstable. The combination of simplified color areas and gestural drawing emphasizes psychological tension rather than realistic portraiture. Throughout his career, Saura frequently transformed historical archetypes into raw, expressive images that reflect broader themes of identity and human anxiety. This work, measuring 60 × 45 cm, was produced in a small edition of 30 and is recorded in the catalogue raisonné under reference WCC.600.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.
