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Catalogue raisonné WCC.268.2. Lithograph and zincograph. Diada I by Antonio Saura is a 1977 lithograph and zincograph that reflects the artist’s recurring exploration of the crowd as a visual and psychological motif. The composition is densely filled with stylized faces and fragmented figures drawn in rapid black lines over muted grey tones. Each form appears distorted, with simplified shapes, expressive marks, and exaggerated features that create a sense of restless movement across the surface. Rather than depicting individual portraits, Saura presents a collective field of faces that merge into a complex visual pattern. The composition suggests themes of anonymity, tension, and shared human presence, which were central to Saura’s expressive graphic language. Measuring 59.5 × 88 cm, the print was produced in an edition of 125 and is listed in the catalogue raisonné under reference WCC.268.2.
Diada I, 1977
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59.5 x 88 cm
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Details
Artist
Styles
Catalogue raisonné WCC.268.2. Lithograph and zincograph. Diada I by Antonio Saura is a 1977 lithograph and zincograph that reflects the artist’s recurring exploration of the crowd as a visual and psychological motif. The composition is densely filled with stylized faces and fragmented figures drawn in rapid black lines over muted grey tones. Each form appears distorted, with simplified shapes, expressive marks, and exaggerated features that create a sense of restless movement across the surface. Rather than depicting individual portraits, Saura presents a collective field of faces that merge into a complex visual pattern. The composition suggests themes of anonymity, tension, and shared human presence, which were central to Saura’s expressive graphic language. Measuring 59.5 × 88 cm, the print was produced in an edition of 125 and is listed in the catalogue raisonné under reference WCC.268.2.
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Limited Edition Print
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Limited Edition Print
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What is Gestural?
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.
