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Mixed media on cardboard // Antonio Saura’s El perro de Goya I (1988) is a mixed media work on cardboard that draws direct inspiration from Francisco Goya’s The Dog from his Black Paintings series. In this abstract reinterpretation, Saura employs expressive black lines to form a chaotic web of shapes that evoke a sense of unease and entrapment, reflecting Goya’s original themes of isolation and despair. The upper portion of the composition features a lighter area where these black lines appear, contrasted against the stark, almost impenetrable black lower half. This duality between light and dark intensifies the emotional resonance of the piece, inviting viewers to contemplate the psychological weight embedded within the abstracted forms. Saura’s reimagining of Goya’s iconic dog continues his exploration of existential themes through abstraction and expressive mark-making.
El perro de Goya I, 1988
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24 x 31 cm
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Details
Artist
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Mixed media on cardboard // Antonio Saura’s El perro de Goya I (1988) is a mixed media work on cardboard that draws direct inspiration from Francisco Goya’s The Dog from his Black Paintings series. In this abstract reinterpretation, Saura employs expressive black lines to form a chaotic web of shapes that evoke a sense of unease and entrapment, reflecting Goya’s original themes of isolation and despair. The upper portion of the composition features a lighter area where these black lines appear, contrasted against the stark, almost impenetrable black lower half. This duality between light and dark intensifies the emotional resonance of the piece, inviting viewers to contemplate the psychological weight embedded within the abstracted forms. Saura’s reimagining of Goya’s iconic dog continues his exploration of existential themes through abstraction and expressive mark-making.
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Antonio Saura
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Limited Edition Print
Lithograph
EUR 1,880
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Serie Abierta (Vibrant Eyes And Abstract Shapes, 1989
Limited Edition Print
Lithograph
EUR 2,950
What is Art Nucleare?
Arte Nucleare was the name of an artist group founded in Milan in 1951. The group aimed to create art that responded to the dangers and technologies of the nuclear age. Their works often utilized automatic techniques and depicted devastated landscapes and mushroom clouds, reflecting the anxieties of a world on the brink of nuclear catastrophe.