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Catalogue raisonné WCC.352. Lithograph and zincograph. Cocktail party by Antonio Saura is a 1982 lithograph and zincograph that transforms the idea of a social gathering into a vibrant and chaotic visual field. The composition is densely packed with distorted faces and figures outlined in energetic black lines and filled with vivid layers of red, yellow, blue, and green. Each fragmented form appears animated, with exaggerated eyes and angular features that overlap and intertwine across the surface. Rather than depicting identifiable individuals, Saura presents a collective crowd in constant movement, suggesting the intensity and complexity of human interaction. The playful title contrasts with the underlying tension and expressive distortion typical of Saura’s work. Measuring 59.5 × 88 cm, this print was produced in an edition of 125 and is listed in the catalogue raisonné under reference WCC.352.
Cocktail party, 1982
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59.5 x 88 cm
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Details
Artist
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Catalogue raisonné WCC.352. Lithograph and zincograph. Cocktail party by Antonio Saura is a 1982 lithograph and zincograph that transforms the idea of a social gathering into a vibrant and chaotic visual field. The composition is densely packed with distorted faces and figures outlined in energetic black lines and filled with vivid layers of red, yellow, blue, and green. Each fragmented form appears animated, with exaggerated eyes and angular features that overlap and intertwine across the surface. Rather than depicting identifiable individuals, Saura presents a collective crowd in constant movement, suggesting the intensity and complexity of human interaction. The playful title contrasts with the underlying tension and expressive distortion typical of Saura’s work. Measuring 59.5 × 88 cm, this print was produced in an edition of 125 and is listed in the catalogue raisonné under reference WCC.352.
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What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.
