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Catalogue raisonné WCC.352. Lithograph and zincograph. Cocktail party by Antonio Saura is a 1982 lithograph and zincograph that transforms the idea of a social gathering into a vibrant and chaotic visual field. The composition is densely packed with distorted faces and figures outlined in energetic black lines and filled with vivid layers of red, yellow, blue, and green. Each fragmented form appears animated, with exaggerated eyes and angular features that overlap and intertwine across the surface. Rather than depicting identifiable individuals, Saura presents a collective crowd in constant movement, suggesting the intensity and complexity of human interaction. The playful title contrasts with the underlying tension and expressive distortion typical of Saura’s work. Measuring 59.5 × 88 cm, this print was produced in an edition of 125 and is listed in the catalogue raisonné under reference WCC.352.
Cocktail party, 1982
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59.5 x 88 cm
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Details
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Catalogue raisonné WCC.352. Lithograph and zincograph. Cocktail party by Antonio Saura is a 1982 lithograph and zincograph that transforms the idea of a social gathering into a vibrant and chaotic visual field. The composition is densely packed with distorted faces and figures outlined in energetic black lines and filled with vivid layers of red, yellow, blue, and green. Each fragmented form appears animated, with exaggerated eyes and angular features that overlap and intertwine across the surface. Rather than depicting identifiable individuals, Saura presents a collective crowd in constant movement, suggesting the intensity and complexity of human interaction. The playful title contrasts with the underlying tension and expressive distortion typical of Saura’s work. Measuring 59.5 × 88 cm, this print was produced in an edition of 125 and is listed in the catalogue raisonné under reference WCC.352.
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What is Art Nucleare?
Arte Nucleare was the name of an artist group founded in Milan in 1951. The group aimed to create art that responded to the dangers and technologies of the nuclear age. Their works often utilized automatic techniques and depicted devastated landscapes and mushroom clouds, reflecting the anxieties of a world on the brink of nuclear catastrophe.
