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Catalogue raisonné WCC.440. Philippe II by Antonio Saura is a 1988 lithograph that reflects the artist’s expressive reinterpretation of historical portraiture. The composition presents a stylized bust wearing a tall hat and dark cloak, evoking traditional images of Spanish royal or noble figures. Saura constructs the face with energetic black lines and layered tones of beige and grey, fragmenting the features into angular forms and exaggerated eyes. The distorted expression creates a mask-like presence that conveys psychological tension rather than realistic likeness. Throughout his career, Saura often revisited figures from Spanish history, transforming them into raw and expressive images that emphasize emotion and inner conflict. This lithograph, measuring 65 × 50 cm, was produced in an edition of 100 and is recorded in the catalogue raisonné under reference WCC.440.
Philippe II, 1988
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Details
Artist
Styles
Catalogue raisonné WCC.440. Philippe II by Antonio Saura is a 1988 lithograph that reflects the artist’s expressive reinterpretation of historical portraiture. The composition presents a stylized bust wearing a tall hat and dark cloak, evoking traditional images of Spanish royal or noble figures. Saura constructs the face with energetic black lines and layered tones of beige and grey, fragmenting the features into angular forms and exaggerated eyes. The distorted expression creates a mask-like presence that conveys psychological tension rather than realistic likeness. Throughout his career, Saura often revisited figures from Spanish history, transforming them into raw and expressive images that emphasize emotion and inner conflict. This lithograph, measuring 65 × 50 cm, was produced in an edition of 100 and is recorded in the catalogue raisonné under reference WCC.440.
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Limited Edition Print
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Antonio Saura
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Doña Jerónima De La Fuente (Velázquez), 1991
Limited Edition Print
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What is Gestural?
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.
