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Catalogue raisonné WCC.386. Lithograph and zincograph. Les dangers de la liaison by Antonio Saura is a 1984 lithograph and zincograph that reflects the artist’s intense exploration of the human crowd as a chaotic psychological landscape. The composition is densely filled with interlocking faces outlined in bold white and black lines, creating a complex network of distorted expressions. Bright colors—reds, greens, yellows, and blues—animate the surface, giving each fragmented figure a distinct yet interconnected presence. The crowded arrangement suggests tension and movement, transforming individual portraits into a collective visual field. Saura often used such compositions to examine themes of identity, conflict, and the complexity of human relationships. Measuring 75 × 110.2 cm, this work was produced in an edition of 90 and is recorded in the catalogue raisonné under reference WCC.386.
Les dangers de la liaison, 1984
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Medium
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75 x 110.2 cm
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Details
Artist
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Catalogue raisonné WCC.386. Lithograph and zincograph. Les dangers de la liaison by Antonio Saura is a 1984 lithograph and zincograph that reflects the artist’s intense exploration of the human crowd as a chaotic psychological landscape. The composition is densely filled with interlocking faces outlined in bold white and black lines, creating a complex network of distorted expressions. Bright colors—reds, greens, yellows, and blues—animate the surface, giving each fragmented figure a distinct yet interconnected presence. The crowded arrangement suggests tension and movement, transforming individual portraits into a collective visual field. Saura often used such compositions to examine themes of identity, conflict, and the complexity of human relationships. Measuring 75 × 110.2 cm, this work was produced in an edition of 90 and is recorded in the catalogue raisonné under reference WCC.386.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.
