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Triptico de Amsterdam 3 by Antonio Saura is a 1975 serigraph that brings together five expressive drawings arranged as a unified composition. Executed with rapid, gestural black lines, the figures appear fragmented and abstract, oscillating between human forms and symbolic shapes. The largest panel shows a distorted figure filled with restless marks, while the surrounding smaller images present simplified faces and bodies reduced to energetic strokes. The limited palette of black ink on light paper emphasizes the immediacy of Saura’s line and his interest in psychological intensity. Associated with the Spanish postwar avant-garde and the El Paso group, Saura frequently explored the human figure through distortion and repetition. Printed in an edition of 190 with additional artist and hors commerce impressions, the work demonstrates his powerful graphic language and spontaneous drawing style.
Triptico de Amsterdam 3, 1975
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70 x 50 cm
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Details
Artist
Styles
Triptico de Amsterdam 3 by Antonio Saura is a 1975 serigraph that brings together five expressive drawings arranged as a unified composition. Executed with rapid, gestural black lines, the figures appear fragmented and abstract, oscillating between human forms and symbolic shapes. The largest panel shows a distorted figure filled with restless marks, while the surrounding smaller images present simplified faces and bodies reduced to energetic strokes. The limited palette of black ink on light paper emphasizes the immediacy of Saura’s line and his interest in psychological intensity. Associated with the Spanish postwar avant-garde and the El Paso group, Saura frequently explored the human figure through distortion and repetition. Printed in an edition of 190 with additional artist and hors commerce impressions, the work demonstrates his powerful graphic language and spontaneous drawing style.
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Antonio Saura
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Limited Edition Print
Lithograph
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Limited Edition Print
Lithograph
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Limited Edition Print
Lithograph
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What is Art Nucleare?
Arte Nucleare was the name of an artist group founded in Milan in 1951. The group aimed to create art that responded to the dangers and technologies of the nuclear age. Their works often utilized automatic techniques and depicted devastated landscapes and mushroom clouds, reflecting the anxieties of a world on the brink of nuclear catastrophe.
