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Catalogue raisonné WCC.386. Lithograph and zincograph. Les dangers de la liaison by Antonio Saura is a 1984 lithograph and zincograph that reflects the artist’s intense exploration of the human crowd as a chaotic psychological landscape. The composition is densely filled with interlocking faces outlined in bold white and black lines, creating a complex network of distorted expressions. Bright colors—reds, greens, yellows, and blues—animate the surface, giving each fragmented figure a distinct yet interconnected presence. The crowded arrangement suggests tension and movement, transforming individual portraits into a collective visual field. Saura often used such compositions to examine themes of identity, conflict, and the complexity of human relationships. Measuring 75 × 110.2 cm, this work was produced in an edition of 90 and is recorded in the catalogue raisonné under reference WCC.386.
Les dangers de la liaison, 1984
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75 x 110.2 cm
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Details
Artist
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Catalogue raisonné WCC.386. Lithograph and zincograph. Les dangers de la liaison by Antonio Saura is a 1984 lithograph and zincograph that reflects the artist’s intense exploration of the human crowd as a chaotic psychological landscape. The composition is densely filled with interlocking faces outlined in bold white and black lines, creating a complex network of distorted expressions. Bright colors—reds, greens, yellows, and blues—animate the surface, giving each fragmented figure a distinct yet interconnected presence. The crowded arrangement suggests tension and movement, transforming individual portraits into a collective visual field. Saura often used such compositions to examine themes of identity, conflict, and the complexity of human relationships. Measuring 75 × 110.2 cm, this work was produced in an edition of 90 and is recorded in the catalogue raisonné under reference WCC.386.
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
