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Etching and aquatint, hand signed by the artist. Paper size: 65x50 cm - plate size +- 16 x 15 cm // Bikaina XIV by Eduardo Chillida, created in 1988, is a minimalist etching and aquatint that embodies the artist’s distinctive approach to form and spatial balance. Set against a vast, empty white background, the small, centrally positioned black shape commands attention with its abstract geometry. The composition, reduced to a single, solid form with circular and angular cutouts, creates a sense of both containment and openness. Chillida’s use of stark contrast and negative space invites viewers to consider the relationship between presence and absence, as well as the balance between simplicity and complexity. This piece reflects Chillida’s fascination with exploring space, form, and the intangible qualities of voids.
Bikaina XIV, 1988
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65 x 50 cm
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Details
Artist
Styles
Etching and aquatint, hand signed by the artist. Paper size: 65x50 cm - plate size +- 16 x 15 cm // Bikaina XIV by Eduardo Chillida, created in 1988, is a minimalist etching and aquatint that embodies the artist’s distinctive approach to form and spatial balance. Set against a vast, empty white background, the small, centrally positioned black shape commands attention with its abstract geometry. The composition, reduced to a single, solid form with circular and angular cutouts, creates a sense of both containment and openness. Chillida’s use of stark contrast and negative space invites viewers to consider the relationship between presence and absence, as well as the balance between simplicity and complexity. This piece reflects Chillida’s fascination with exploring space, form, and the intangible qualities of voids.
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Limited Edition Print
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What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.