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Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper - Signed and numbered in pencil // Alex Katz’s White Shirt (Vincent 1) (2021) is a pigment print portraying a young man named Vincent, dressed in a crisp white shirt. The piece exemplifies Katz's characteristic style of clean lines and simplified, yet expressive forms. The figure’s thoughtful expression and slightly turned posture create a sense of introspection and calm. The cool-toned palette, with the white shirt standing out against the darker, abstract background, emphasizes the subject’s presence while maintaining a minimalist aesthetic. Katz’s precise handling of light and shadow lends depth to the composition, allowing the viewer to engage with Vincent’s composed and serene demeanor.
White Shirt (Vincent 1), 2021
form
Medium
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66 x 38 cm
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Details
Artist
Styles
Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper - Signed and numbered in pencil // Alex Katz’s White Shirt (Vincent 1) (2021) is a pigment print portraying a young man named Vincent, dressed in a crisp white shirt. The piece exemplifies Katz's characteristic style of clean lines and simplified, yet expressive forms. The figure’s thoughtful expression and slightly turned posture create a sense of introspection and calm. The cool-toned palette, with the white shirt standing out against the darker, abstract background, emphasizes the subject’s presence while maintaining a minimalist aesthetic. Katz’s precise handling of light and shadow lends depth to the composition, allowing the viewer to engage with Vincent’s composed and serene demeanor.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.