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Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper // Alex Katz's Sunset 2 (2020) is an archival pigment print on Innova Etching Cotton Rag paper, featuring a bold interplay of shadow and light. The composition includes black silhouettes of foliage framing a sunset gradient that transitions from a soft gray at the top to a vibrant coral red in the center, fading into a light gray at the bottom. The contrast between the dark, abstract shapes and the colorful background creates a dynamic visual experience, emphasizing the tranquil yet dramatic atmosphere of dusk. Katz’s minimalist approach captures the essence of nature’s fleeting beauty through simplified forms and rich hues.
Sunset 2, 2020
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107 x 117 cm
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Artist
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Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper // Alex Katz's Sunset 2 (2020) is an archival pigment print on Innova Etching Cotton Rag paper, featuring a bold interplay of shadow and light. The composition includes black silhouettes of foliage framing a sunset gradient that transitions from a soft gray at the top to a vibrant coral red in the center, fading into a light gray at the bottom. The contrast between the dark, abstract shapes and the colorful background creates a dynamic visual experience, emphasizing the tranquil yet dramatic atmosphere of dusk. Katz’s minimalist approach captures the essence of nature’s fleeting beauty through simplified forms and rich hues.
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Alex Katz
Red Dogwood 2 From The Flowers Portfolio, 2021
Limited Edition Print
Archival Print
USD 17,750
Alex Katz
Red Dogwood 1 From Flowers Portfolio, 2021
Limited Edition Print
Archival Print
USD 17,750
Alex Katz
Vincent With Open Mouth, 1974
Limited Edition Print
Etching And Aquatint
Inquire For Price
Alex Katz
The Flowers Portfolio (7 Works), 2021
Limited Edition Print
Archival Print
USD 100,000 - 120,000
Alex Katz
Green Jacket (from Alex & Ada Portfolio), 1990
Limited Edition Print
Screen-print
USD 10,800
What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
