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Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper // 'Sunrise (orange-blue)' by Alex Katz, created in 2020, is a bold archival print that juxtaposes vibrant hues and abstract forms. Measuring 140 x 107 cm, the composition features a striking interplay of bright orange and crisp blue shapes set against a dominant black background. The fragmented forms, resembling sunlight breaking through a dense thicket, evoke the energy of dawn while retaining Katz’s signature flatness and graphic precision. This limited-edition print captures the artist’s ability to distill nature into abstract, modern compositions, offering a visually dynamic exploration of light and shadow.
Sunrise (orange-blue), 2020
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140 x 107 cm
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Details
Artist
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Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper // 'Sunrise (orange-blue)' by Alex Katz, created in 2020, is a bold archival print that juxtaposes vibrant hues and abstract forms. Measuring 140 x 107 cm, the composition features a striking interplay of bright orange and crisp blue shapes set against a dominant black background. The fragmented forms, resembling sunlight breaking through a dense thicket, evoke the energy of dawn while retaining Katz’s signature flatness and graphic precision. This limited-edition print captures the artist’s ability to distill nature into abstract, modern compositions, offering a visually dynamic exploration of light and shadow.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.