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Original Drypoint Etching on Paper // Alex Katz's Profile of Vincent (1974) is a drypoint etching on paper, measuring 15.1 x 22.25 cm, produced as an artist’s proof (AP) edition. The artwork captures a delicate side profile of Vincent, rendered in Katz’s signature minimalist style with fine, soft lines that emphasize the gentle contours of the subject’s face and hairstyle. Katz’s subtle approach focuses on simplicity and expression, providing an intimate view that feels both personal and timeless. The monochromatic tones and clean lines showcase Katz’s skill in capturing human presence with minimal detail, emphasizing the elegance of form and profile.
Profile of Vincent, 1974
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Medium
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38.4 x 56.5 cm
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Details
Artist
Styles
Original Drypoint Etching on Paper // Alex Katz's Profile of Vincent (1974) is a drypoint etching on paper, measuring 15.1 x 22.25 cm, produced as an artist’s proof (AP) edition. The artwork captures a delicate side profile of Vincent, rendered in Katz’s signature minimalist style with fine, soft lines that emphasize the gentle contours of the subject’s face and hairstyle. Katz’s subtle approach focuses on simplicity and expression, providing an intimate view that feels both personal and timeless. The monochromatic tones and clean lines showcase Katz’s skill in capturing human presence with minimal detail, emphasizing the elegance of form and profile.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.