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Offset lithograph. Literature: Siebrits 238 An early poster, with information about the play on the verso. In the mid-1970s, William Kentridge produced posters for the Junction Avenue Theatre Company, printing approximately 20–30 impressions of each. Few examples survive, and even fewer are signed by the artist, as is the present work. // Playful yet subversive, this offset lithograph poster for the Junction Avenue Theatre Company's Woozebear and the Zoo-Bears reveals the young Kentridge's gift for combining illustration with political undertone. Printed in 1981 during the height of apartheid, the seemingly lighthearted title belies the socially engaged context of the production, while Kentridge's graphic style already hints at the narrative complexity that would define his later work. With play information on the verso, the poster functions as both artwork and historical document. Signed by the artist and surviving from an edition of only 20 to 30 impressions, this is among the rarest examples of Kentridge's early printed oeuvre.
Woozebear and the Zoo-Bears, 1981
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60 x 42 cm
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Details
Artist
Styles
Offset lithograph. Literature: Siebrits 238 An early poster, with information about the play on the verso. In the mid-1970s, William Kentridge produced posters for the Junction Avenue Theatre Company, printing approximately 20–30 impressions of each. Few examples survive, and even fewer are signed by the artist, as is the present work. // Playful yet subversive, this offset lithograph poster for the Junction Avenue Theatre Company's Woozebear and the Zoo-Bears reveals the young Kentridge's gift for combining illustration with political undertone. Printed in 1981 during the height of apartheid, the seemingly lighthearted title belies the socially engaged context of the production, while Kentridge's graphic style already hints at the narrative complexity that would define his later work. With play information on the verso, the poster functions as both artwork and historical document. Signed by the artist and surviving from an edition of only 20 to 30 impressions, this is among the rarest examples of Kentridge's early printed oeuvre.
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What is Gestural?
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.
