Details
Artist
Styles
Pastel and charcoal on extremely fine laid paper. The first "Embarkation" drawings. Signed by the artist. // A sweeping industrial panorama rendered in charcoal and pastel on extremely fine laid paper, this 1986 drawing belongs to the first group of Embarkation works — a pivotal series in which Kentridge began to synthesise landscape, history and personal narrative into the cinematic visual language for which he is now celebrated. The charcoal tones evoke the mine dumps and smokestacks of Johannesburg's industrial periphery, while passages of soft pastel introduce an unexpected lyricism that complicates any reading of the scene as mere social documentation. The generous format allows the composition to breathe with a panoramic amplitude recalling early film stills. Signed by the artist, this major drawing represents a defining moment in the development of one of the most important artists of our time.
Embarkation, 1986
form
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49 x 67 cm
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Price
Details
Artist
Styles
Pastel and charcoal on extremely fine laid paper. The first "Embarkation" drawings. Signed by the artist. // A sweeping industrial panorama rendered in charcoal and pastel on extremely fine laid paper, this 1986 drawing belongs to the first group of Embarkation works — a pivotal series in which Kentridge began to synthesise landscape, history and personal narrative into the cinematic visual language for which he is now celebrated. The charcoal tones evoke the mine dumps and smokestacks of Johannesburg's industrial periphery, while passages of soft pastel introduce an unexpected lyricism that complicates any reading of the scene as mere social documentation. The generous format allows the composition to breathe with a panoramic amplitude recalling early film stills. Signed by the artist, this major drawing represents a defining moment in the development of one of the most important artists of our time.
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Silkscreen
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Etching And Aquatint
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The Passion Of Mrs Eckstein, 1991
Drawing / Watercolor
Mixed Media
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What is Gestural?
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.
