Details
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Signed by the artist. In 1980, William Kentridge produced Domestic Scenes, a series of 50 small untitled etchings, alongside the Pit monotypes—marking the earliest development of his artistic practice. The initial edition was printed by the artist on soft cream wove paper. Subsequent impressions (10–20 per plate, depending on demand) were printed on stiffer Arches buff wove paper. This impression, printed on soft cream wove paper and numbered 1/30, originates from that initial set. // A solitary figure leans over a bathroom sink in this quietly devastating etching and aquatint from William Kentridge's seminal Domestic Scenes series — the fifty small etchings of 1980 that mark the very beginning of the artist's printmaking career. The intimacy of the domestic setting belies the political charge that permeates every scene in the series, where private life under apartheid becomes a theatre of quiet tension. Kentridge's soft tonal modelling, achieved through delicate aquatint, gives the composition a warmth and tactile presence that reproductions cannot convey. Numbered 1/30 and printed on the original soft cream wove paper of the first edition, this impression is among the earliest and most desirable from the series.
Untitled, from Domestic Scenes, 1980
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17.5 x 25 cm
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Details
Artist
Styles
Signed by the artist. In 1980, William Kentridge produced Domestic Scenes, a series of 50 small untitled etchings, alongside the Pit monotypes—marking the earliest development of his artistic practice. The initial edition was printed by the artist on soft cream wove paper. Subsequent impressions (10–20 per plate, depending on demand) were printed on stiffer Arches buff wove paper. This impression, printed on soft cream wove paper and numbered 1/30, originates from that initial set. // A solitary figure leans over a bathroom sink in this quietly devastating etching and aquatint from William Kentridge's seminal Domestic Scenes series — the fifty small etchings of 1980 that mark the very beginning of the artist's printmaking career. The intimacy of the domestic setting belies the political charge that permeates every scene in the series, where private life under apartheid becomes a theatre of quiet tension. Kentridge's soft tonal modelling, achieved through delicate aquatint, gives the composition a warmth and tactile presence that reproductions cannot convey. Numbered 1/30 and printed on the original soft cream wove paper of the first edition, this impression is among the earliest and most desirable from the series.
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William Kentridge
Exhibition William Kentridge (Pit Monotypes), 1979
Limited Edition Print
Silkscreen
EUR 15,000
William Kentridge
Untitled, From Domestic Scenes, 1980
Limited Edition Print
Etching And Aquatint
EUR 15,000
William Kentridge
The Passion Of Mrs Eckstein, 1991
Drawing / Watercolor
Mixed Media
Inquire For Price
What is Gestural?
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.
