Sam Francis

Untitled, 1984

106.7 X 73 inch

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Security

William KENTRIDGE | Dikhitsheneng (The Kitchens) | Silkscreen, 1980 — available on Composition Gallery

Silkscreen poster. In the mid-1970s, William Kentridge produced posters for the Junction Avenue Theatre Company, printing approximately 20–30 impressions of each. Few examples survive, and even fewer are signed by the artist, as is the present work. // A kitchen worker sits in weary contemplation, head propped in hand, rendered in Kentridge's bold black silkscreen line against raw paper in a composition that distils the exhaustion and dignity of manual labour. This poster for the Junction Avenue Theatre Company's Dikhitsheneng (The Kitchens) is rooted in the political theatre of 1980s Johannesburg, where plays about working-class Black experience challenged the cultural apparatus of apartheid. Kentridge's empathetic figuration — drawn from direct observation rather than caricature — anticipates the humanist concerns that would permeate his mature drawings and films. Signed by the artist, this impression survives from an edition of approximately 20 to 30, with very few known examples extant.

Artwork Copyright © William Kentridge

Dikhitsheneng (The Kitchens), 1980

form

Medium

Edition

Silkscreen poster. In the mid-1970s, William Kentridge produced posters for the Junction Avenue Theatre Company, printing approximately 20–30 impressions of each. Few examples survive, and even fewer are signed by the artist, as is the present work. // A kitchen worker sits in weary contemplation, head propped in hand, rendered in Kentridge's bold black silkscreen line against raw paper in a composition that distils the exhaustion and dignity of manual labour. This poster for the Junction Avenue Theatre Company's Dikhitsheneng (The Kitchens) is rooted in the political theatre of 1980s Johannesburg, where plays about working-class Black experience challenged the cultural apparatus of apartheid. Kentridge's empathetic figuration — drawn from direct observation rather than caricature — anticipates the humanist concerns that would permeate his mature drawings and films. Signed by the artist, this impression survives from an edition of approximately 20 to 30, with very few known examples extant.

Artwork Copyright © William Kentridge

William Kentridge

The Bacchae, 1983

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Film At The Market, 1986

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Woozebear And The Zoo-Bears, 1981

Limited Edition Print

Offset Print

EUR 9,500

William Kentridge

Exhibition William Kentridge (Pit Monotypes), 1979

Limited Edition Print

Silkscreen

EUR 15,000

William Kentridge

Dikhitsheneng (The Kitchens), 1980

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Security, 1979

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Untitled, From Domestic Scenes, 1980

Limited Edition Print

Etching And Aquatint

EUR 15,000

William Kentridge

Embarkation, 1986

Drawing / Watercolor

Mixed Media

Inquire For Price

William Kentridge

A Wildlife Catalogue II, 1980

Limited Edition Print

Etching

EUR 25,000

William Kentridge

The Passion Of Mrs Eckstein, 1991

Drawing / Watercolor

Mixed Media

Inquire For Price

William Kentridge

Domestic Scenes, 1980

Limited Edition Print

Mixed Media

EUR 15,000

William Kentridge

No Idea Thought Image, 2016

Limited Edition Print

Screen-print

Currently Not Available

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What is Surrealism?

Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.

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