Details
Artist
Styles
Silkscreen poster. In the mid-1970s, William Kentridge produced posters for the Junction Avenue Theatre Company, printing approximately 20–30 impressions of each. Few examples survive, and even fewer are signed by the artist, as is the present work. // A kitchen worker sits in weary contemplation, head propped in hand, rendered in Kentridge's bold black silkscreen line against raw paper in a composition that distils the exhaustion and dignity of manual labour. This poster for the Junction Avenue Theatre Company's Dikhitsheneng (The Kitchens) is rooted in the political theatre of 1980s Johannesburg, where plays about working-class Black experience challenged the cultural apparatus of apartheid. Kentridge's empathetic figuration — drawn from direct observation rather than caricature — anticipates the humanist concerns that would permeate his mature drawings and films. Signed by the artist, this impression survives from an edition of approximately 20 to 30, with very few known examples extant.
Dikhitsheneng (The Kitchens), 1980
form
Medium
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61.5 x 43.8 cm
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- Centimeters
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Details
Artist
Styles
Silkscreen poster. In the mid-1970s, William Kentridge produced posters for the Junction Avenue Theatre Company, printing approximately 20–30 impressions of each. Few examples survive, and even fewer are signed by the artist, as is the present work. // A kitchen worker sits in weary contemplation, head propped in hand, rendered in Kentridge's bold black silkscreen line against raw paper in a composition that distils the exhaustion and dignity of manual labour. This poster for the Junction Avenue Theatre Company's Dikhitsheneng (The Kitchens) is rooted in the political theatre of 1980s Johannesburg, where plays about working-class Black experience challenged the cultural apparatus of apartheid. Kentridge's empathetic figuration — drawn from direct observation rather than caricature — anticipates the humanist concerns that would permeate his mature drawings and films. Signed by the artist, this impression survives from an edition of approximately 20 to 30, with very few known examples extant.
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What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.
