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One of only ten signed impressions of the silkscreen poster executed by William Kentridge for his first exhibition. In 1979, Kentridge produced the Pit monotypes, marking the start of his professional practice. Later that year, the Market Theatre Gallery presented his first exhibition, for which this poster was created using imagery from the series. // This silkscreen poster for William Kentridge's very first exhibition — presenting the Pit Monotypes at the Market Theatre Gallery in 1979 — is among the most historically significant works in the artist's printed catalogue. One of only ten signed impressions, the poster draws its imagery directly from the monotype series that launched Kentridge's professional career, marking the precise moment when a young Johannesburg artist stepped onto the international stage. The graphic directness of the silkscreen medium reinforces the raw, unpolished energy of the Pit imagery, which already contains the seeds of Kentridge's later explorations of landscape, labour and erasure. As both a landmark of South African art history and an exceedingly rare collector's item, this poster occupies a unique position.
Exhibition William Kentridge (Pit Monotypes), 1979
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69.7 x 45.2 cm
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Details
Artist
Styles
One of only ten signed impressions of the silkscreen poster executed by William Kentridge for his first exhibition. In 1979, Kentridge produced the Pit monotypes, marking the start of his professional practice. Later that year, the Market Theatre Gallery presented his first exhibition, for which this poster was created using imagery from the series. // This silkscreen poster for William Kentridge's very first exhibition — presenting the Pit Monotypes at the Market Theatre Gallery in 1979 — is among the most historically significant works in the artist's printed catalogue. One of only ten signed impressions, the poster draws its imagery directly from the monotype series that launched Kentridge's professional career, marking the precise moment when a young Johannesburg artist stepped onto the international stage. The graphic directness of the silkscreen medium reinforces the raw, unpolished energy of the Pit imagery, which already contains the seeds of Kentridge's later explorations of landscape, labour and erasure. As both a landmark of South African art history and an exceedingly rare collector's item, this poster occupies a unique position.
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William Kentridge
Exhibition William Kentridge (Pit Monotypes), 1979
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What is Gestural?
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.
