Details
Artist
Styles
Silkscreen poster. In the mid-1970s, William Kentridge produced posters for the Junction Avenue Theatre Company, printing approximately 20–30 impressions of each. Few examples survive, and even fewer are signed by the artist, as is the present work. An unsigned impression is the only pre-1989 Kentridge print in the collection of Museum of Modern Art. // A menacing figure clutches a heavy chain in this stark, graphic silkscreen poster — one of William Kentridge's earliest printed works and a visceral indictment of the repressive apparatus of apartheid-era South Africa. The bold black forms on raw paper recall both woodcut protest imagery and the economy of agitprop, yet Kentridge's compositional assurance already transcends mere illustration. An unsigned impression is the only pre-1989 Kentridge print held by the Museum of Modern Art, underscoring the rarity and art-historical importance of this signed example. Produced in an edition of approximately 20 to 30 for the Junction Avenue Theatre Company, very few impressions are known to survive.
Security, 1979
form
Medium
Size
83.7 x 45 cm
- Inches
- Centimeters
Edition
Price
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Details
Artist
Styles
Silkscreen poster. In the mid-1970s, William Kentridge produced posters for the Junction Avenue Theatre Company, printing approximately 20–30 impressions of each. Few examples survive, and even fewer are signed by the artist, as is the present work. An unsigned impression is the only pre-1989 Kentridge print in the collection of Museum of Modern Art. // A menacing figure clutches a heavy chain in this stark, graphic silkscreen poster — one of William Kentridge's earliest printed works and a visceral indictment of the repressive apparatus of apartheid-era South Africa. The bold black forms on raw paper recall both woodcut protest imagery and the economy of agitprop, yet Kentridge's compositional assurance already transcends mere illustration. An unsigned impression is the only pre-1989 Kentridge print held by the Museum of Modern Art, underscoring the rarity and art-historical importance of this signed example. Produced in an edition of approximately 20 to 30 for the Junction Avenue Theatre Company, very few impressions are known to survive.
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What is animation?
Animation is the process of displaying a sequence of static images in rapid succession to create the illusion of movement. Each image, or frame, is slightly altered from the previous one, particularly in the moving parts, so when shown together, they form a continuous motion. Traditionally, illustrators drew each frame by hand to produce this effect.
