William Kentridge – Security, 1979 – Silkscreen
Silkscreen poster. In the mid-1970s, William Kentridge produced posters for the Junction Avenue Theatre Company, printing approximately 20–30 impressions of each. Few examples survive, and even fewer are signed by the artist, as is the present work. An unsigned impression is the only pre-1989 Kentridge print in the collection of Museum of Modern Art.
A menacing figure clutches a heavy chain in this stark, graphic silkscreen poster — one of William Kentridge's earliest printed works and a visceral indictment of the repressive apparatus of apartheid-era South Africa. The bold black forms on raw paper recall both woodcut protest imagery and the economy of agitprop, yet Kentridge's compositional assurance already transcends mere illustration. An unsigned impression is the only pre-1989 Kentridge print held by the Museum of Modern Art, underscoring the rarity and art-historical importance of this signed example. Produced in an edition of approximately 20 to 30 for the Junction Avenue Theatre Company, very few impressions are known to survive.
Artwork Copyright © William Kentridge
William Kentridge (South Africa, 1955) is a globally acclaimed artist renowned for his expressive charcoal animations, installations, and performances. His work often explores themes of memory, politics, and history, particularly in relation to apartheid. Combining drawing, film, and theater, Kentridge creates powerful narratives that engage with social and historical complexities.
Artwork Copyright © William Kentridge

Security, 1979

Form

Medium

Edition

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Silkscreen poster. In the mid-1970s, William Kentridge produced posters for the Junction Avenue Theatre Company, printing approximately 20–30 impressions of each. Few examples survive, and even fewer are signed by the artist, as is the present work. An unsigned impression is the only pre-1989 Kentridge print in the collection of Museum of Modern Art.
A menacing figure clutches a heavy chain in this stark, graphic silkscreen poster — one of William Kentridge's earliest printed works and a visceral indictment of the repressive apparatus of apartheid-era South Africa. The bold black forms on raw paper recall both woodcut protest imagery and the economy of agitprop, yet Kentridge's compositional assurance already transcends mere illustration. An unsigned impression is the only pre-1989 Kentridge print held by the Museum of Modern Art, underscoring the rarity and art-historical importance of this signed example. Produced in an edition of approximately 20 to 30 for the Junction Avenue Theatre Company, very few impressions are known to survive.
Artwork Copyright © William Kentridge
William Kentridge (South Africa, 1955) is a globally acclaimed artist renowned for his expressive charcoal animations, installations, and performances. His work often explores themes of memory, politics, and history, particularly in relation to apartheid. Combining drawing, film, and theater, Kentridge creates powerful narratives that engage with social and historical complexities.
Artwork Copyright © William Kentridge
William Kentridge – The Bacchae, 1983 – Silkscreen

William Kentridge

The Bacchae, 1983

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge – Film at the Market, 1986 – Silkscreen

William Kentridge

Film at the Market, 1986

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge – Woozebear and the Zoo-Bears, 1981 – Offset Print

William Kentridge

Woozebear and the Zoo-Bears, 1981

Limited Edition Print

Offset Print

EUR 9,500

William Kentridge – Exhibition William Kentridge (Pit Monotypes), 1979 – Silkscreen

William Kentridge

Exhibition William Kentridge (Pit Monotypes), 1979

Limited Edition Print

Silkscreen

EUR 15,000

William Kentridge – Dikhitsheneng (The Kitchens), 1980 – Silkscreen

William Kentridge

Dikhitsheneng (The Kitchens), 1980

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge – Security, 1979 – Silkscreen

William Kentridge

Security, 1979

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge – Untitled, from Domestic Scenes, 1980 – Etching and Aquatint

William Kentridge

Untitled, from Domestic Scenes, 1980

Limited Edition Print

Etching and Aquatint

EUR 15,000

William Kentridge – Embarkation, 1986 – Mixed Media

William Kentridge

Embarkation, 1986

Drawing / Watercolor

Mixed Media

Inquire For Price

William Kentridge – A Wildlife Catalogue II, 1980 – Etching

William Kentridge

A Wildlife Catalogue II, 1980

Limited Edition Print

Etching

EUR 25,000

William Kentridge – The Passion of Mrs Eckstein, 1991 – Mixed Media

William Kentridge

The Passion of Mrs Eckstein, 1991

Drawing / Watercolor

Mixed Media

Inquire For Price

William Kentridge – Domestic Scenes, 1980 – Mixed Media

William Kentridge

Domestic Scenes, 1980

Limited Edition Print

Mixed Media

EUR 15,000

William Kentridge – No Idea Thought Image, 2016 – Screen-print

William Kentridge

No Idea Thought Image, 2016

Limited Edition Print

Screen-print

Currently Not Available

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What is Process Art?

What is Process Art?

Process Art is an artistic movement and creative approach where the focus is on the act of creation rather than the final product. The term process in this context refers to the various stages of art-making, including gathering, sorting, associating, and organizing materials and actions. This movement emphasizes the artistic journey and the human expression involved in creating art, rather than the finished piece itself. Process Art is driven by inherent motivation, intentionality, and the rationale behind the actions, viewing the creative process as the true artwork.

William Kentridge – Security, 1979 – Silkscreen

William Kentridge

Security, 1979

83.7 x 45 cm

Est. 2005 — twenty years of collecting, online.