Silkscreen poster on Japanese paper, hand-colored with colored pencil.
Signed by the artist.
Executed to promote the exhibition of the 'Domestic Scenes' etchings (second solo show).
Approximately 20–30 impressions were printed, each uniquely hand-colored; very few examples survive, with only two known impressions recorded.
Verso bears a handwritten inscription by the artist (dated 2011) describing the poster's production.
Minor marginal defects, otherwise in excellent condition.
Hand-coloured in coloured pencil over a silkscreen on Japanese paper, this poster for the exhibition of Kentridge's Domestic Scenes etchings — his second solo show — is among the rarest and most personal works in the artist's early printed output. Each of the approximately 20 to 30 impressions was uniquely coloured by hand, making every surviving example a one-of-a-kind artwork, with only two impressions currently recorded. A handwritten inscription by the artist on the verso, dated 2011, describes the poster's production, adding a layer of autobiographical reflection to an already deeply personal object. Signed by the artist, this extraordinary piece bridges fine art, theatre ephemera and private memoir in a way that is characteristic of Kentridge's boundary-dissolving practice.
William Kentridge (South Africa, 1955) is a globally acclaimed artist renowned for his expressive charcoal animations, installations, and performances. His work often explores themes of memory, politics, and history, particularly in relation to apartheid. Combining drawing, film, and theater, Kentridge creates powerful narratives that engage with social and historical complexities.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Silkscreen poster on Japanese paper, hand-colored with colored pencil.
Signed by the artist.
Executed to promote the exhibition of the 'Domestic Scenes' etchings (second solo show).
Approximately 20–30 impressions were printed, each uniquely hand-colored; very few examples survive, with only two known impressions recorded.
Verso bears a handwritten inscription by the artist (dated 2011) describing the poster's production.
Minor marginal defects, otherwise in excellent condition.
Hand-coloured in coloured pencil over a silkscreen on Japanese paper, this poster for the exhibition of Kentridge's Domestic Scenes etchings — his second solo show — is among the rarest and most personal works in the artist's early printed output. Each of the approximately 20 to 30 impressions was uniquely coloured by hand, making every surviving example a one-of-a-kind artwork, with only two impressions currently recorded. A handwritten inscription by the artist on the verso, dated 2011, describes the poster's production, adding a layer of autobiographical reflection to an already deeply personal object. Signed by the artist, this extraordinary piece bridges fine art, theatre ephemera and private memoir in a way that is characteristic of Kentridge's boundary-dissolving practice.
William Kentridge (South Africa, 1955) is a globally acclaimed artist renowned for his expressive charcoal animations, installations, and performances. His work often explores themes of memory, politics, and history, particularly in relation to apartheid. Combining drawing, film, and theater, Kentridge creates powerful narratives that engage with social and historical complexities.
I am only an artist, my job is to make drawings not to make sense.
- William Kentridge
William Kentridge is an artist from South Africa who is best known for his animated films. He also produces prints, drawings and sculptures. His work first started to come to prominence in the early 1970's and he is still producing works of art today, with sculptures that he had created being unveiled in 2012 and 2013. William Kentridge’s animations are not made in the more traditional way of having each scene on a separate print. Instead the changes to the images in the animation are made by making alterations to the same sheet of paper. This creates something quite unique, as it is sometimes possible to still see previous scenes which have been erased as you watch the animation. This single piece of paper is then displayed as a piece of art in its own right. Even though it is William Kentridge’s animated films that he is most well known for, drawing and printmaking are still the foundation of all his other artworks. Although his works don't contain abstract thoughts and emotions, he does not believe that the things that he draws have to be completely accurate. He does however always produce his drawings based on something tangible that he has observed. William Kentridge usually uses bronze for his sculpting work, and his first public sculpture was unveiled in his home town of Johannesburg in 2012, with another one soon appearing in Naples in the same year. In 2013 he created Rebus, which was unique in the fact that two distinct images could be seen, depending on the angle that you were viewing it.
Animation is the process of displaying a sequence of static images in rapid succession to create the illusion of movement. Each image, or frame, is slightly altered from the previous one, particularly in the moving parts, so when shown together, they form a continuous motion. Traditionally, illustrators drew each frame by hand to produce this effect.