Details
Artist
Styles
Silkscreen poster on Japanese paper, hand-colored with colored pencil. Signed by the artist. Executed to promote the exhibition of the 'Domestic Scenes' etchings (second solo show). Approximately 20–30 impressions were printed, each uniquely hand-colored; very few examples survive, with only two known impressions recorded. Verso bears a handwritten inscription by the artist (dated 2011) describing the poster's production. Minor marginal defects, otherwise in excellent condition. // Hand-coloured in coloured pencil over a silkscreen on Japanese paper, this poster for the exhibition of Kentridge's Domestic Scenes etchings — his second solo show — is among the rarest and most personal works in the artist's early printed output. Each of the approximately 20 to 30 impressions was uniquely coloured by hand, making every surviving example a one-of-a-kind artwork, with only two impressions currently recorded. A handwritten inscription by the artist on the verso, dated 2011, describes the poster's production, adding a layer of autobiographical reflection to an already deeply personal object. Signed by the artist, this extraordinary piece bridges fine art, theatre ephemera and private memoir in a way that is characteristic of Kentridge's boundary-dissolving practice.
Domestic Scenes, 1980
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50.5 x 63.8 cm
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Details
Artist
Styles
Silkscreen poster on Japanese paper, hand-colored with colored pencil. Signed by the artist. Executed to promote the exhibition of the 'Domestic Scenes' etchings (second solo show). Approximately 20–30 impressions were printed, each uniquely hand-colored; very few examples survive, with only two known impressions recorded. Verso bears a handwritten inscription by the artist (dated 2011) describing the poster's production. Minor marginal defects, otherwise in excellent condition. // Hand-coloured in coloured pencil over a silkscreen on Japanese paper, this poster for the exhibition of Kentridge's Domestic Scenes etchings — his second solo show — is among the rarest and most personal works in the artist's early printed output. Each of the approximately 20 to 30 impressions was uniquely coloured by hand, making every surviving example a one-of-a-kind artwork, with only two impressions currently recorded. A handwritten inscription by the artist on the verso, dated 2011, describes the poster's production, adding a layer of autobiographical reflection to an already deeply personal object. Signed by the artist, this extraordinary piece bridges fine art, theatre ephemera and private memoir in a way that is characteristic of Kentridge's boundary-dissolving practice.
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William Kentridge
Exhibition William Kentridge (Pit Monotypes), 1979
Limited Edition Print
Silkscreen
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Untitled, From Domestic Scenes, 1980
Limited Edition Print
Etching And Aquatint
EUR 15,000
William Kentridge
The Passion Of Mrs Eckstein, 1991
Drawing / Watercolor
Mixed Media
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What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.
