Sam Francis

Untitled, 1984

106.7 X 73 inch

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Exhibition William Kentridge (Pit Monotypes)

William KENTRIDGE | Woozebear and the Zoo-Bears | Offset Print, 1981 — available on Composition Gallery
William KENTRIDGE | Woozebear and the Zoo-Bears | Offset Print, 1981 — available on Composition Gallery
William KENTRIDGE | Woozebear and the Zoo-Bears | Offset Print, 1981 — available on Composition Gallery

Offset lithograph. Literature: Siebrits 238 An early poster, with information about the play on the verso. In the mid-1970s, William Kentridge produced posters for the Junction Avenue Theatre Company, printing approximately 20–30 impressions of each. Few examples survive, and even fewer are signed by the artist, as is the present work. // Playful yet subversive, this offset lithograph poster for the Junction Avenue Theatre Company's Woozebear and the Zoo-Bears reveals the young Kentridge's gift for combining illustration with political undertone. Printed in 1981 during the height of apartheid, the seemingly lighthearted title belies the socially engaged context of the production, while Kentridge's graphic style already hints at the narrative complexity that would define his later work. With play information on the verso, the poster functions as both artwork and historical document. Signed by the artist and surviving from an edition of only 20 to 30 impressions, this is among the rarest examples of Kentridge's early printed oeuvre.

Artwork Copyright © William Kentridge

Woozebear and the Zoo-Bears, 1981

form

Medium

Edition

Offset lithograph. Literature: Siebrits 238 An early poster, with information about the play on the verso. In the mid-1970s, William Kentridge produced posters for the Junction Avenue Theatre Company, printing approximately 20–30 impressions of each. Few examples survive, and even fewer are signed by the artist, as is the present work. // Playful yet subversive, this offset lithograph poster for the Junction Avenue Theatre Company's Woozebear and the Zoo-Bears reveals the young Kentridge's gift for combining illustration with political undertone. Printed in 1981 during the height of apartheid, the seemingly lighthearted title belies the socially engaged context of the production, while Kentridge's graphic style already hints at the narrative complexity that would define his later work. With play information on the verso, the poster functions as both artwork and historical document. Signed by the artist and surviving from an edition of only 20 to 30 impressions, this is among the rarest examples of Kentridge's early printed oeuvre.

Artwork Copyright © William Kentridge

William Kentridge

The Bacchae, 1983

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Film At The Market, 1986

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Woozebear And The Zoo-Bears, 1981

Limited Edition Print

Offset Print

EUR 9,500

William Kentridge

Exhibition William Kentridge (Pit Monotypes), 1979

Limited Edition Print

Silkscreen

EUR 15,000

William Kentridge

Dikhitsheneng (The Kitchens), 1980

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Security, 1979

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Untitled, From Domestic Scenes, 1980

Limited Edition Print

Etching And Aquatint

EUR 15,000

William Kentridge

Embarkation, 1986

Drawing / Watercolor

Mixed Media

Inquire For Price

William Kentridge

A Wildlife Catalogue II, 1980

Limited Edition Print

Etching

EUR 25,000

William Kentridge

The Passion Of Mrs Eckstein, 1991

Drawing / Watercolor

Mixed Media

Inquire For Price

William Kentridge

Domestic Scenes, 1980

Limited Edition Print

Mixed Media

EUR 15,000

William Kentridge

No Idea Thought Image, 2016

Limited Edition Print

Screen-print

Currently Not Available

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Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.

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