Sam Francis

Untitled, 1984

106.7 X 73 inch

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Plate #4 (from Complex Forms)

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Steps (Form Derived from a Cubic Rectangle)

Sol LeWitt, Plate #5 (from Complex Forms), etching and aquatint. Geometric multi-colored shapes arranged against a deep blue background with a black frame.

Etchings and aquatint on Arches paper - Signed and numbered in pencil - Series: Complex Forms - Published by Matsumura (Tomiko Liguori), New York, New York // Sol LeWitt, Plate #5 (from Complex Forms) is a 1989 etching and aquatint on Arches paper, part of the Complex Forms series. This composition features a cluster of geometric, multi-colored shapes set against a deep blue background. The arrangement of these facets—composed of vivid reds, yellows, greens, blues, and purples—creates a sense of depth and movement, as the abstract form seems to shift within its irregular boundaries. The shapes are framed by a black rectangular border that highlights the overall composition. LeWitt’s use of bold colors and sharp geometric lines reflects his exploration of abstraction, where each element interacts with the surrounding space to create a dynamic visual effect. Signed and numbered in pencil, this print is part of a limited edition published by Matsumura in New York.

Artwork Copyright © Sol LeWitt

Plate #5 (from Complex Forms), 1989

form

Medium

Edition

Etchings and aquatint on Arches paper - Signed and numbered in pencil - Series: Complex Forms - Published by Matsumura (Tomiko Liguori), New York, New York // Sol LeWitt, Plate #5 (from Complex Forms) is a 1989 etching and aquatint on Arches paper, part of the Complex Forms series. This composition features a cluster of geometric, multi-colored shapes set against a deep blue background. The arrangement of these facets—composed of vivid reds, yellows, greens, blues, and purples—creates a sense of depth and movement, as the abstract form seems to shift within its irregular boundaries. The shapes are framed by a black rectangular border that highlights the overall composition. LeWitt’s use of bold colors and sharp geometric lines reflects his exploration of abstraction, where each element interacts with the surrounding space to create a dynamic visual effect. Signed and numbered in pencil, this print is part of a limited edition published by Matsumura in New York.

Artwork Copyright © Sol LeWitt

Sol LeWitt

Plate #1 (from Complex Forms), 1989

Limited Edition Print

Etching And Aquatint

Inquire For Price

Sol LeWitt

Plate #2 (from Complex Forms), 1989

Limited Edition Print

Etching And Aquatint

USD 3,600

Sol LeWitt

Plate #3 (from Complex Forms),, 1989

Limited Edition Print

Etching And Aquatint

USD 3,600

Sol LeWitt

Plate #4 (from Complex Forms), 1989

Limited Edition Print

Etching And Aquatint

USD 3,600

Sol LeWitt

Plate #5 (from Complex Forms), 1989

Limited Edition Print

Etching And Aquatint

USD 3,600

Sol LeWitt

Steps (Form Derived From A Cubic Rectangle), 1992

Limited Edition Print

Woodcut

EUR 5,900

Sol LeWitt

Ohne Titel (Blue Square), 1990

Limited Edition Print

Serigraph

USD 5,250

Sol LeWitt

Tondo 1 (3 Point Star), 2002

Limited Edition Print

Linocut

USD 1,750

Sol LeWitt

Tondo 3 (5 Point Star), 2002

Limited Edition Print

Linocut

USD 1,750

Sol LeWitt

Colors With Lines In Four Directions, Within A Black Border (Red), 1990

Limited Edition Print

Screen-print

Currently Not Available

Sol LeWitt

Complex Forms II, 1990

Limited Edition Print

Etching

Currently Not Available

Sol LeWitt

Arcs From Four Corners, 1986

Limited Edition Print

Woodcut

Currently Not Available

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What is minimalism?

Minimalism is a style in music and visual arts characterized by pared-down designs and simplicity. It began in Western art after World War II, gaining prominence particularly in American visual arts. Minimalism draws heavily on aspects of modernism and is often viewed as a reaction against Abstract Expressionism, as well as a precursor to post-minimal art practices. Prominent minimalist artists include Agnes Martin, Donald Judd, Robert Morris, Frank Stella, and Dan Flavin.

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