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From the Limited Trial Proof Edition of 4 - Published by Multiples Inc. New York and Marilena Bonomo Bari Italy - Suite of Twelve Forms Derived From a Cube - Silkscreen in Colors on Arches 88 Paper // Sol LeWitt’s Plate #36 (1984) is a silkscreen print from his series Twelve Forms Derived from a Cube. This minimalist artwork focuses on the interplay of line and form, using a cube as its foundation. The cube is segmented into different sections with varying line orientations, creating an illusion of depth and dimension. Each plane is defined by distinct line patterns that play with perception, making the shape appear both three-dimensional and abstract. Known for his contributions to conceptual and minimal art, LeWitt's work often explores the systematic use of geometry. Printed on Arches 88 paper and published by Multiples Inc. in New York and Marilena Bonomo in Bari, Italy, this piece is part of a limited edition of 40 with 4 trial proofs.
Plate #36, 1984
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20.3 x 20.3 cm
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From the Limited Trial Proof Edition of 4 - Published by Multiples Inc. New York and Marilena Bonomo Bari Italy - Suite of Twelve Forms Derived From a Cube - Silkscreen in Colors on Arches 88 Paper // Sol LeWitt’s Plate #36 (1984) is a silkscreen print from his series Twelve Forms Derived from a Cube. This minimalist artwork focuses on the interplay of line and form, using a cube as its foundation. The cube is segmented into different sections with varying line orientations, creating an illusion of depth and dimension. Each plane is defined by distinct line patterns that play with perception, making the shape appear both three-dimensional and abstract. Known for his contributions to conceptual and minimal art, LeWitt's work often explores the systematic use of geometry. Printed on Arches 88 paper and published by Multiples Inc. in New York and Marilena Bonomo in Bari, Italy, this piece is part of a limited edition of 40 with 4 trial proofs.
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What is Systems Art?
Systems Art refers to a group of artists who, during the late 1960s and early 1970s, used the frameworks of conceptualism and minimalism to create art that was responsive to its environment. Rejecting traditional art themes, they embraced aesthetic systems and experimented with diverse media. Systems Art often connected with contemporary political movements of the time, emphasizing the interrelationship between the artwork, its context, and the broader social and political environment.
