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From the Limited Trial Proof Edition of 4 - Published by Multiples Inc. New York and Marilena Bonomo Bari Italy - Suite of Twelve Forms Derived From a Cube - Silkscreen in Colors on Arches 88 Paper // Sol LeWitt’s Plate #36 (1984) is a silkscreen print from his series Twelve Forms Derived from a Cube. This minimalist artwork focuses on the interplay of line and form, using a cube as its foundation. The cube is segmented into different sections with varying line orientations, creating an illusion of depth and dimension. Each plane is defined by distinct line patterns that play with perception, making the shape appear both three-dimensional and abstract. Known for his contributions to conceptual and minimal art, LeWitt's work often explores the systematic use of geometry. Printed on Arches 88 paper and published by Multiples Inc. in New York and Marilena Bonomo in Bari, Italy, this piece is part of a limited edition of 40 with 4 trial proofs.
Plate #36, 1984
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20.3 x 20.3 cm
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From the Limited Trial Proof Edition of 4 - Published by Multiples Inc. New York and Marilena Bonomo Bari Italy - Suite of Twelve Forms Derived From a Cube - Silkscreen in Colors on Arches 88 Paper // Sol LeWitt’s Plate #36 (1984) is a silkscreen print from his series Twelve Forms Derived from a Cube. This minimalist artwork focuses on the interplay of line and form, using a cube as its foundation. The cube is segmented into different sections with varying line orientations, creating an illusion of depth and dimension. Each plane is defined by distinct line patterns that play with perception, making the shape appear both three-dimensional and abstract. Known for his contributions to conceptual and minimal art, LeWitt's work often explores the systematic use of geometry. Printed on Arches 88 paper and published by Multiples Inc. in New York and Marilena Bonomo in Bari, Italy, this piece is part of a limited edition of 40 with 4 trial proofs.
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What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.