
Details
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Etchings and aquatint on Arches paper - Signed and numbered in pencil - Series: Complex Forms - Published by Matsumura (Tomiko Liguori), New York, New York // Sol LeWitt, Plate #2 (from Complex Forms) is a 1989 etching and aquatint on Arches paper, part of his Complex Forms series. The work displays a tightly arranged cluster of geometric shapes rendered in a variety of vibrant colors—red, yellow, blue, green, and purple. These multi-colored facets form an abstract, irregular shape, set against a white background with a black rectangular border that frames the composition. The overlapping polygons appear to shift in space, creating a sense of depth and movement within the arrangement. This piece reflects LeWitt’s exploration of geometry, color, and abstraction, where the intricate arrangement of shapes conveys both structure and spontaneity. Signed and numbered in pencil, this print is part of a limited edition and was published by Matsumura in New York, reinforcing LeWitt’s influential role in conceptual and minimalist art.
Plate #2 (from Complex Forms), 1989
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76.2 x 57.2 cm
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Details
Artist
Styles
Etchings and aquatint on Arches paper - Signed and numbered in pencil - Series: Complex Forms - Published by Matsumura (Tomiko Liguori), New York, New York // Sol LeWitt, Plate #2 (from Complex Forms) is a 1989 etching and aquatint on Arches paper, part of his Complex Forms series. The work displays a tightly arranged cluster of geometric shapes rendered in a variety of vibrant colors—red, yellow, blue, green, and purple. These multi-colored facets form an abstract, irregular shape, set against a white background with a black rectangular border that frames the composition. The overlapping polygons appear to shift in space, creating a sense of depth and movement within the arrangement. This piece reflects LeWitt’s exploration of geometry, color, and abstraction, where the intricate arrangement of shapes conveys both structure and spontaneity. Signed and numbered in pencil, this print is part of a limited edition and was published by Matsumura in New York, reinforcing LeWitt’s influential role in conceptual and minimalist art.
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What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.