
Details
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Etchings and aquatint on Arches paper - Signed and numbered in pencil - Series: Complex Forms - Published by Matsumura (Tomiko Liguori), New York, New York // Sol LeWitt, Plate #2 (from Complex Forms) is a 1989 etching and aquatint on Arches paper, part of his Complex Forms series. The work displays a tightly arranged cluster of geometric shapes rendered in a variety of vibrant colors—red, yellow, blue, green, and purple. These multi-colored facets form an abstract, irregular shape, set against a white background with a black rectangular border that frames the composition. The overlapping polygons appear to shift in space, creating a sense of depth and movement within the arrangement. This piece reflects LeWitt’s exploration of geometry, color, and abstraction, where the intricate arrangement of shapes conveys both structure and spontaneity. Signed and numbered in pencil, this print is part of a limited edition and was published by Matsumura in New York, reinforcing LeWitt’s influential role in conceptual and minimalist art.
Plate #2 (from Complex Forms), 1989
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76.2 x 57.2 cm
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Details
Artist
Styles
Etchings and aquatint on Arches paper - Signed and numbered in pencil - Series: Complex Forms - Published by Matsumura (Tomiko Liguori), New York, New York // Sol LeWitt, Plate #2 (from Complex Forms) is a 1989 etching and aquatint on Arches paper, part of his Complex Forms series. The work displays a tightly arranged cluster of geometric shapes rendered in a variety of vibrant colors—red, yellow, blue, green, and purple. These multi-colored facets form an abstract, irregular shape, set against a white background with a black rectangular border that frames the composition. The overlapping polygons appear to shift in space, creating a sense of depth and movement within the arrangement. This piece reflects LeWitt’s exploration of geometry, color, and abstraction, where the intricate arrangement of shapes conveys both structure and spontaneity. Signed and numbered in pencil, this print is part of a limited edition and was published by Matsumura in New York, reinforcing LeWitt’s influential role in conceptual and minimalist art.
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What is conceptual art?
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.