Mod. 8 by León Ferrari is a 2009 lithograph that exemplifies the artist's exploration of visual structures and the interplay between order and chaos. Created in an edition of 50, this work features bold, dripping black arches stacked in rows, reminiscent of architectural elements or repetitive patterns. Behind these arches are delicate, colorful horizontal lines in shades of red, blue, and yellow, adding a contrast between rigid form and softer, chaotic textures. The combination of precise, repetitive forms with expressive drips and layered colors evokes themes of confinement, structure, and the tension between control and freedom. Ferrari’s work often comments on societal structures, and here, Mod. 8 invites contemplation on rigidity versus spontaneity.
León Ferrari (Argentina, 1920–2013) was a pioneering conceptual artist whose provocative works challenged authority, religion, and politics. Using diverse media such as sculpture, collage, and text, he created powerful critiques of oppression and violence, leaving a lasting impact on Latin American art.
LithographLithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Size
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56 X 38 cm
Edition
Edition of 50
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1,000EUR
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Mod. 8 by León Ferrari is a 2009 lithograph that exemplifies the artist's exploration of visual structures and the interplay between order and chaos. Created in an edition of 50, this work features bold, dripping black arches stacked in rows, reminiscent of architectural elements or repetitive patterns. Behind these arches are delicate, colorful horizontal lines in shades of red, blue, and yellow, adding a contrast between rigid form and softer, chaotic textures. The combination of precise, repetitive forms with expressive drips and layered colors evokes themes of confinement, structure, and the tension between control and freedom. Ferrari’s work often comments on societal structures, and here, Mod. 8 invites contemplation on rigidity versus spontaneity.
León Ferrari (Argentina, 1920–2013) was a pioneering conceptual artist whose provocative works challenged authority, religion, and politics. Using diverse media such as sculpture, collage, and text, he created powerful critiques of oppression and violence, leaving a lasting impact on Latin American art.
Art is not beauty or novelty, art is effectiveness and disruption.
- León Ferrari
León Ferrari (b. 1920 Argentina, d. 2013 Argentina) was an influential Argentine artist known for his powerful and often controversial works that blend sculpture, painting, and installation with political and social commentary. Ferrari's art frequently addressed themes of power, religion, and oppression, making strong statements against authoritarianism, war, and the abuses of the Catholic Church. His most famous work, La civilización occidental y cristiana (1965), depicts a crucified Christ on a U.S. fighter jet, symbolizing the complicity between religion and military power. Ferrari’s use of found objects, collage, and text created a distinctive visual language that challenged viewers to confront uncomfortable truths about society. His work has had a lasting impact on Latin American art and remains a crucial reference for discussions on art and activism.(Artist website)
Activist Art is a form of art created to address social and political issues. It often involves public engagement and works closely with communities to raise awareness or inspire change. While it can include elements of performance art, it is not limited to this form. Examples include creating and distributing social protest posters or organizing community-based art projects that highlight specific causes.