León Ferrari's Mod. 4 (2009) is a lithograph that exemplifies the artist's fascination with line and movement. Created as part of a limited edition, the piece features a series of undulating black lines that flow and curve rhythmically, resembling a dynamic wave or an abstracted spiral. The fluidity and elegance of the lines create a sense of continuous motion, inviting viewers to follow the pattern as it twists and turns. Ferrari, known for his explorations in both abstraction and socio-political themes, uses simplicity here to evoke movement and energy, demonstrating how minimal elements can convey a powerful visual rhythm.
León Ferrari (Argentina, 1920–2013) was a pioneering conceptual artist whose provocative works challenged authority, religion, and politics. Using diverse media such as sculpture, collage, and text, he created powerful critiques of oppression and violence, leaving a lasting impact on Latin American art.
LithographLithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Size
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56 X 38 cm
Edition
Edition of 50
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1,000EUR
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●Inventory 2911
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León Ferrari's Mod. 4 (2009) is a lithograph that exemplifies the artist's fascination with line and movement. Created as part of a limited edition, the piece features a series of undulating black lines that flow and curve rhythmically, resembling a dynamic wave or an abstracted spiral. The fluidity and elegance of the lines create a sense of continuous motion, inviting viewers to follow the pattern as it twists and turns. Ferrari, known for his explorations in both abstraction and socio-political themes, uses simplicity here to evoke movement and energy, demonstrating how minimal elements can convey a powerful visual rhythm.
León Ferrari (Argentina, 1920–2013) was a pioneering conceptual artist whose provocative works challenged authority, religion, and politics. Using diverse media such as sculpture, collage, and text, he created powerful critiques of oppression and violence, leaving a lasting impact on Latin American art.
Art is not beauty or novelty, art is effectiveness and disruption.
- León Ferrari
León Ferrari (b. 1920 Argentina, d. 2013 Argentina) was an influential Argentine artist known for his powerful and often controversial works that blend sculpture, painting, and installation with political and social commentary. Ferrari's art frequently addressed themes of power, religion, and oppression, making strong statements against authoritarianism, war, and the abuses of the Catholic Church. His most famous work, La civilización occidental y cristiana (1965), depicts a crucified Christ on a U.S. fighter jet, symbolizing the complicity between religion and military power. Ferrari’s use of found objects, collage, and text created a distinctive visual language that challenged viewers to confront uncomfortable truths about society. His work has had a lasting impact on Latin American art and remains a crucial reference for discussions on art and activism.(Artist website)
A found object is a term used to describe a man-made or natural object, or a fragment of one, that an artist discovers or purchases and keeps for inspiration or as a work of art. The artist may also modify the object or incorporate it into a collage or assemblage, transforming it into a new piece of art.