
Screenprint in colours on Lenox Museum board,
Signed, numbered, dated and blindstamped on the front, stamped by the publisher on the back.
'Growing 5 (Littmann p.91)' by Keith Haring is a 1988 screen-print measuring 76.2 × 101.6 cm. A central figure — rendered in Haring's signature heavy black outline — radiates outward in four directions, its torso anchored by a circular void and its limbs dissolving into looping, maze-like extensions. Flat fields of yellow, blue, orange, and green fill every zone, with no shading or gradient. The composition belongs to the 'Growing' series, catalogued in Littmann's reference volume. By 1988, Haring had moved from spontaneous subway chalk drawings to large-format screen-prints that retained the immediacy of his street work while allowing for controlled colour and wider distribution. The interlocking figure here — simultaneously one body and many — is characteristic of his late-decade output, in which human forms multiply and merge across the picture plane.
Growing 5 (Littmann p.91), 1988
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Screenprint in colours on Lenox Museum board,
Signed, numbered, dated and blindstamped on the front, stamped by the publisher on the back.
'Growing 5 (Littmann p.91)' by Keith Haring is a 1988 screen-print measuring 76.2 × 101.6 cm. A central figure — rendered in Haring's signature heavy black outline — radiates outward in four directions, its torso anchored by a circular void and its limbs dissolving into looping, maze-like extensions. Flat fields of yellow, blue, orange, and green fill every zone, with no shading or gradient. The composition belongs to the 'Growing' series, catalogued in Littmann's reference volume. By 1988, Haring had moved from spontaneous subway chalk drawings to large-format screen-prints that retained the immediacy of his street work while allowing for controlled colour and wider distribution. The interlocking figure here — simultaneously one body and many — is characteristic of his late-decade output, in which human forms multiply and merge across the picture plane.
Keith Haring
Untitled (Plate 4), from Fertility, 1983
Limited Edition Print
Screen-print
GBP 58,000 – 70,000
Keith Haring
Poster for Nuclear Disarmament, 1982
Limited Edition Print
Offset Print
USD 11,000 – 15,000
Keith Haring
Private Listing
Painting
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Keith Haring
Private Listing
Drawing / Watercolor
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Keith Haring
Private Listing
Drawing / Watercolor
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Keith Haring
Untitled (Plate 16) from The Blueprint Drawings, 1990
Limited Edition Print
Screen-print
USD 35,000 – 45,000
Keith Haring
Untitled (Plate 17) from The Blueprint Drawings, 1990
Limited Edition Print
Screen-print
USD 35,000 – 45,000
Keith Haring
Private Listing
Painting
request info
Keith Haring
Private Listing
Drawing / Watercolor
request info
Keith Haring
Barking Dog (from White Icons), 1990
Limited Edition Print
Embossing
Currently Not Available
Keith Haring
Untitled 1 (from Free South Africa), 1985
Limited Edition Print
Lithograph
Currently Not Available
What is Street art?
Street Art is artwork created and executed in public spaces, outside of traditional art venues. It gained popularity during the 1980s graffiti art boom and has since evolved into various forms and styles. Common forms of Street Art include pop-up art, sticker art, stencil graffiti, and street installations or sculptures. Terms like guerrilla art, neo-graffiti, post-graffiti, and urban art are often used interchangeably to describe this genre, which challenges conventional ideas about where and how art should be displayed.

Keith Haring
Growing 5 (Littmann p.91), 1988
76.2 x 101.6 cm









































































