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With the stamped signature and date, numbered on the reverse // Keith Haring’s Story of Red and Blue #20 (1989) is a minimalistic yet striking lithograph that exemplifies his iconic graphic style. The image features two bold black hands, outlined in Haring’s signature thick lines, holding a large, purple oval object. The simplicity of the forms, combined with subtle motion lines around the oval, creates a sense of interaction and energy. The piece emphasizes the universal themes of connection and creation, which are often explored in Haring's work. The vibrant contrast between the black lines and the solid color makes the artwork visually impactful, continuing Haring’s legacy of transforming everyday symbols into bold statements.
Story of Red and Blue #20, 1989
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55.9 x 41.9 cm
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Details
Artist
Styles
With the stamped signature and date, numbered on the reverse // Keith Haring’s Story of Red and Blue #20 (1989) is a minimalistic yet striking lithograph that exemplifies his iconic graphic style. The image features two bold black hands, outlined in Haring’s signature thick lines, holding a large, purple oval object. The simplicity of the forms, combined with subtle motion lines around the oval, creates a sense of interaction and energy. The piece emphasizes the universal themes of connection and creation, which are often explored in Haring's work. The vibrant contrast between the black lines and the solid color makes the artwork visually impactful, continuing Haring’s legacy of transforming everyday symbols into bold statements.
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What is Figuration Libre?
Figuration Libre is an art movement that is equivalent to the French Bad Painting and Neo-Expressionism in Europe and America. The term was coined by Ben Vautier and the Fluxus movement. In 1981, Robert Combas, François Boisrond, Hervé Di Rosa, and Rémi Blanchard formed the Figuration Libre group. The term can be interpreted as free style art, emphasizing spontaneity, freedom, and a rejection of traditional artistic conventions.