
Details
Artist
Styles
Signed and dated by the artist in pencil - perfectly framed // Tête Montagne I by Karel Appel, created in 1976, is a vibrant aquatint print that embodies Appel's signature abstract and expressive style. The artwork features bold shapes and a striking color palette dominated by red, yellow, blue, and green, forming an abstract figure that resembles a face or a fantastical creature. Thick, gestural lines and fluid forms characterize the piece, lending it a sense of spontaneity and raw energy. The composition plays with circular and flowing elements, creating a dynamic visual rhythm. Signed and dated in pencil by Appel, this limited edition piece of 80 exemplifies his innovative approach to color and form, capturing the viewer's eye with its playful yet intense aesthetic.
Tete montagne I, 1976
form
Medium
Size
69 x 90 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
Signed and dated by the artist in pencil - perfectly framed // Tête Montagne I by Karel Appel, created in 1976, is a vibrant aquatint print that embodies Appel's signature abstract and expressive style. The artwork features bold shapes and a striking color palette dominated by red, yellow, blue, and green, forming an abstract figure that resembles a face or a fantastical creature. Thick, gestural lines and fluid forms characterize the piece, lending it a sense of spontaneity and raw energy. The composition plays with circular and flowing elements, creating a dynamic visual rhythm. Signed and dated in pencil by Appel, this limited edition piece of 80 exemplifies his innovative approach to color and form, capturing the viewer's eye with its playful yet intense aesthetic.
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Karel Appel
The Clown With The Golden Tears, 1978
Limited Edition Print
Etching And Aquatint
USD 2,000
Karel Appel
Plus Malin Et Plus Debile Que Nous, 1978
Limited Edition Print
Woodcut
Currently Not Available
Karel Appel
Circus Suite, No. 26, 1978
Limited Edition Print
Etching And Aquatint
Currently Not Available
What is Art Brut?
Art Brut, a French term meaning Raw Art, was coined by Jean Dubuffet to describe art created outside the conventional fine arts tradition. Dubuffet used the term to refer to works made by self-taught artists, including the mentally ill, prisoners, and others on the margins of society. He also called it Outsider Art. This art is characterized by its raw, unrefined nature, often created without concern for traditional presentation or imitation.