Sam Francis

Untitled, 1984

106.7 X 73 inch

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Circus suite, no. 26

Karel Appel, Plus malin et plus débile que nous, colorful woodcut; joyful figure with flower on a surreal, brightly adorned animal.

Colour woodcut -Suite: Karel Appel Circus portfolio -Suite of Karel Appel Circus portfolio -Hand signed and numbered by Appel // Karel Appel’s Plus malin et plus débile que nous (1978) is a whimsical and vividly colored woodcut from his Circus portfolio. This limited edition print captures Appel’s playful and expressionistic style, featuring a joyful figure holding a flower atop a brightly adorned, surreal animal. The bold blues, reds, and yellows create a vibrant contrast, and the exaggerated facial features lend the characters a lively, almost mischievous personality. Appel’s use of simple, childlike shapes and intense colors reflects his interest in primal expression and a raw, uninhibited view of humanity. Hand-signed and numbered, this piece is a testament to Appel’s unique approach to art, blending humor and emotional intensity in a dynamic, folk-art-inspired composition.

Artwork Copyright © Karel Appel

Plus malin et plus debile que nous, 1978

form

Medium

Edition

Colour woodcut -Suite: Karel Appel Circus portfolio -Suite of Karel Appel Circus portfolio -Hand signed and numbered by Appel // Karel Appel’s Plus malin et plus débile que nous (1978) is a whimsical and vividly colored woodcut from his Circus portfolio. This limited edition print captures Appel’s playful and expressionistic style, featuring a joyful figure holding a flower atop a brightly adorned, surreal animal. The bold blues, reds, and yellows create a vibrant contrast, and the exaggerated facial features lend the characters a lively, almost mischievous personality. Appel’s use of simple, childlike shapes and intense colors reflects his interest in primal expression and a raw, uninhibited view of humanity. Hand-signed and numbered, this piece is a testament to Appel’s unique approach to art, blending humor and emotional intensity in a dynamic, folk-art-inspired composition.

Artwork Copyright © Karel Appel

Karel Appel

Nesting Bird, 1978

Limited Edition Print

Lithograph

USD 990

Karel Appel

Flower With Blue Eyes, 1977

Sculpture / Object

Wood

USD 6,990

Karel Appel

Floating Family, 1976

Limited Edition Print

Stone

USD 10,400

Karel Appel

Jumping Dog II, 1978

Sculpture / Object

Object

USD 16,500

Karel Appel

Two Figures, c. 1980

Limited Edition Print

Lithograph

USD 1,000

Karel Appel

Composition , 1969

Limited Edition Print

Lithograph

USD 950

Karel Appel

Serie Personages, 1969

Limited Edition Print

Lithograph

USD 780

Karel Appel

Cats, 1979

Limited Edition Print

Lithograph

USD 8,250

Karel Appel

Il Pagliacci, 1984

Limited Edition Print

Lithograph

USD 2,150

Karel Appel

Fighting Cat, 1979

Limited Edition Print

Lithograph

USD 750

Karel Appel

Cat In The Night, 1979

Limited Edition Print

Lithograph

USD 750

Karel Appel

Luminous Cat, 1979

Limited Edition Print

Lithograph

USD 750

Karel Appel

Resting Cat, 1979

Limited Edition Print

Lithograph

USD 750

Karel Appel

Devil Cat, 1979

Limited Edition Print

Lithograph

USD 750

Karel Appel

Sad Cat, 1979

Limited Edition Print

Lithograph

USD 750

Karel Appel

Stalking Cat, 1979

Limited Edition Print

Lithograph

USD 750

Karel Appel

Blue Cat, 1979

Limited Edition Print

Lithograph

USD 750

Karel Appel

Smiling Cat, 1979

Limited Edition Print

Lithograph

USD 750

Karel Appel

Green Cat, 1979

Limited Edition Print

Lithograph

USD 750

Karel Appel

House Cat, 1979

Limited Edition Print

Lithograph

USD 750

Karel Appel

Sunshine Cat, 1979

Limited Edition Print

Lithograph

USD 750

Karel Appel

Sound, 1979

Limited Edition Print

Mixed Media

USD 1,400

Karel Appel

Face, 1979

Limited Edition Print

Mixed Media

USD 1,400

Karel Appel

Lying In Red, 1979

Limited Edition Print

Mixed Media

USD 1,400

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What is Tachisme?

Tachisme is a French abstract painting style that gained popularity between 1940 and 1950, often seen as the European counterpart to Abstract Expressionism. However, there are stylistic differences between the two. Tachisme, which emerged from Art Informel, rejected geometric abstraction in favor of more intuitive and spontaneous expression. It was a reaction against the structured forms of Cubism and is closely related to Informalism. Tachisme emphasizes gestural brushwork, irregular forms, and a focus on the process of painting itself.

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