Details
Artist
Styles
Colour woodcut -Suite: Karel Appel Circus portfolio -Suite of Karel Appel Circus portfolio -Hand signed and numbered by Appel // Karel Appel’s Plus malin et plus débile que nous (1978) is a whimsical and vividly colored woodcut from his Circus portfolio. This limited edition print captures Appel’s playful and expressionistic style, featuring a joyful figure holding a flower atop a brightly adorned, surreal animal. The bold blues, reds, and yellows create a vibrant contrast, and the exaggerated facial features lend the characters a lively, almost mischievous personality. Appel’s use of simple, childlike shapes and intense colors reflects his interest in primal expression and a raw, uninhibited view of humanity. Hand-signed and numbered, this piece is a testament to Appel’s unique approach to art, blending humor and emotional intensity in a dynamic, folk-art-inspired composition.
Plus malin et plus debile que nous, 1978
form
Medium
Size
55.9 x 76.2 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Colour woodcut -Suite: Karel Appel Circus portfolio -Suite of Karel Appel Circus portfolio -Hand signed and numbered by Appel // Karel Appel’s Plus malin et plus débile que nous (1978) is a whimsical and vividly colored woodcut from his Circus portfolio. This limited edition print captures Appel’s playful and expressionistic style, featuring a joyful figure holding a flower atop a brightly adorned, surreal animal. The bold blues, reds, and yellows create a vibrant contrast, and the exaggerated facial features lend the characters a lively, almost mischievous personality. Appel’s use of simple, childlike shapes and intense colors reflects his interest in primal expression and a raw, uninhibited view of humanity. Hand-signed and numbered, this piece is a testament to Appel’s unique approach to art, blending humor and emotional intensity in a dynamic, folk-art-inspired composition.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.
