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Six etchings with aquatint, 1988, from Glyptotek, each signed in pencil, printed by Kurt Zein and Wicktor Libicky, Vienna, published by the artist and Pace Editions, New York, and Waddington Graphics, London, on wove paper // Glyptotek by Jim Dine is a set of six etchings with aquatint, created in 1988. Each print, signed by Dine, reflects his exploration of classical sculpture and the human form, rendered with expressive, textured strokes that evoke a sense of timeworn beauty. The pieces, printed in Vienna and published by the artist in collaboration with Pace Editions and Waddington Graphics, depict busts and statues reminiscent of ancient artifacts. With each figure showing varying degrees of erosion and abstraction, Dine invites viewers to meditate on themes of antiquity, decay, and the enduring legacy of classical art. The choice of dark, earthy tones enhances the tactile quality and depth, giving the works an almost sculptural presence on paper.
Glyptotek (set of 6 works), 1988
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80.3 x 61 cm
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Details
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Six etchings with aquatint, 1988, from Glyptotek, each signed in pencil, printed by Kurt Zein and Wicktor Libicky, Vienna, published by the artist and Pace Editions, New York, and Waddington Graphics, London, on wove paper // Glyptotek by Jim Dine is a set of six etchings with aquatint, created in 1988. Each print, signed by Dine, reflects his exploration of classical sculpture and the human form, rendered with expressive, textured strokes that evoke a sense of timeworn beauty. The pieces, printed in Vienna and published by the artist in collaboration with Pace Editions and Waddington Graphics, depict busts and statues reminiscent of ancient artifacts. With each figure showing varying degrees of erosion and abstraction, Dine invites viewers to meditate on themes of antiquity, decay, and the enduring legacy of classical art. The choice of dark, earthy tones enhances the tactile quality and depth, giving the works an almost sculptural presence on paper.
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Limited Edition Print
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Limited Edition Print
Lithograph
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Kitsch is a term used to describe cheap, commercial, sentimental, or vulgar art and objects commonly associated with popular culture. The word is borrowed from German, where it originally means trash. Since the 1920s, kitsch has been used to denote the opposite of high art, often implying that the work lacks sophistication or artistic merit.