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Woodcut and collograph // Jim Dine's Transparent Grey Robe is a captivating limited-edition mixed-media print from 2013. Using woodcut and collograph techniques, Dine creates an abstract yet deeply personal representation of a robe, one of his signature motifs. The vibrant layers of red, purple, and subtle yellow tones swirl and blend to form the robe's structure, giving it a sense of movement and emotional depth. The overlapping colors and textural elements create a luminous, almost ethereal quality, despite the darker undertones. The robe, often seen as a stand-in for the artist’s own presence, invites reflection on identity, vulnerability, and memory. Measuring 54 cm by 36.75 cm, the piece exemplifies Dine's ability to merge everyday objects with expressive, abstract forms.
Transparent Grey Robe, 2013
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Medium
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137.2 x 93.3 cm
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Details
Artist
Styles
Woodcut and collograph // Jim Dine's Transparent Grey Robe is a captivating limited-edition mixed-media print from 2013. Using woodcut and collograph techniques, Dine creates an abstract yet deeply personal representation of a robe, one of his signature motifs. The vibrant layers of red, purple, and subtle yellow tones swirl and blend to form the robe's structure, giving it a sense of movement and emotional depth. The overlapping colors and textural elements create a luminous, almost ethereal quality, despite the darker undertones. The robe, often seen as a stand-in for the artist’s own presence, invites reflection on identity, vulnerability, and memory. Measuring 54 cm by 36.75 cm, the piece exemplifies Dine's ability to merge everyday objects with expressive, abstract forms.
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Limited Edition Print
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Limited Edition Print
Lithograph
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What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.