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Original lithograph on Hahnemule Paper - Published by Steidl Verlag - Hand signed and numbered by Jim Dine - Printed at Atelier Michael Woolworth Paris // Untitled from Pinocchio Suite by Jim Dine, created in 2005, is a lithograph that reflects Dine’s deep engagement with the iconic character of Pinocchio. Printed on Hahnemühle paper and published by Steidl Verlag, the artwork captures a moment from the tale, depicting Pinocchio with his signature long nose, flanked by the sly figures of the Cat and the Fox. Rendered in Dine’s expressive and textured style, the composition features bold lines and splashes of color—most notably the bright red of Pinocchio’s shorts—that create a sense of dynamic tension. The background, washed in soft blue, contrasts with the intense character details, inviting viewers to explore the narrative complexities and symbolism. The lithograph showcases Dine’s skillful blend of drawing and printmaking techniques, transforming a familiar story into an emotionally engaging visual experience.
Untitled from Pinocchio Suite, 2005
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55.9 x 44.5 cm
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Details
Artist
Styles
Original lithograph on Hahnemule Paper - Published by Steidl Verlag - Hand signed and numbered by Jim Dine - Printed at Atelier Michael Woolworth Paris // Untitled from Pinocchio Suite by Jim Dine, created in 2005, is a lithograph that reflects Dine’s deep engagement with the iconic character of Pinocchio. Printed on Hahnemühle paper and published by Steidl Verlag, the artwork captures a moment from the tale, depicting Pinocchio with his signature long nose, flanked by the sly figures of the Cat and the Fox. Rendered in Dine’s expressive and textured style, the composition features bold lines and splashes of color—most notably the bright red of Pinocchio’s shorts—that create a sense of dynamic tension. The background, washed in soft blue, contrasts with the intense character details, inviting viewers to explore the narrative complexities and symbolism. The lithograph showcases Dine’s skillful blend of drawing and printmaking techniques, transforming a familiar story into an emotionally engaging visual experience.
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Left Panel, From The Three Sydney Close Woodcuts, 1983
Limited Edition Print
Woodcut
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Jim Dine
The Realistic Poet Assassinated, 1970 / 1971
Limited Edition Print
Etching
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Jim Dine
Untitled - Artist Palette With Heart In Red, 1986
Sculpture / Object
Mixed Media
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Jim Dine
Untitled From Pinocchio Suite (wolf And A Cat), 2005
Limited Edition Print
Lithograph
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Jim Dine
12' Saddle Bench For Basil's Studio, 1968
Limited Edition Print
Lithograph
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Jim Dine
Dorian Gray In Multi-Colored Vinyl Stripe Cape, 1968
Limited Edition Print
Lithograph
USD 1,430
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
