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Lithograph in colors on Arches paper. Signed in pencil, dated and annotated. Co-published by Petersburg Press, New York/Ulstein Propyläen Verlag, Berlin. Printed by William Law, New York. from Hommage à Picasso Big Red Wrench in a Landscape by Jim Dine, created in 1973 for the Hommage à Picasso portfolio, is a color lithograph that merges Pop Art sensibilities with personal symbolism. Centered against a softly sprayed blue and green background, a single, oversized pipe wrench dominates the composition. Rendered with bold contrasts and fine textures, the tool appears monumental and almost sculptural. Dine often elevates everyday objects—like tools and robes—imbuing them with emotional or autobiographical meaning. Here, the wrench becomes a surrogate self-portrait or emblem of labor and craftsmanship, echoing Picasso’s own fascination with objects and their expressive potential.
Big Red Wrench in a Landscape, 1973
form
Medium
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75.6 x 56.2 cm
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- Centimeters
Edition
Price
Details
Artist
Styles
Lithograph in colors on Arches paper. Signed in pencil, dated and annotated. Co-published by Petersburg Press, New York/Ulstein Propyläen Verlag, Berlin. Printed by William Law, New York. from Hommage à Picasso Big Red Wrench in a Landscape by Jim Dine, created in 1973 for the Hommage à Picasso portfolio, is a color lithograph that merges Pop Art sensibilities with personal symbolism. Centered against a softly sprayed blue and green background, a single, oversized pipe wrench dominates the composition. Rendered with bold contrasts and fine textures, the tool appears monumental and almost sculptural. Dine often elevates everyday objects—like tools and robes—imbuing them with emotional or autobiographical meaning. Here, the wrench becomes a surrogate self-portrait or emblem of labor and craftsmanship, echoing Picasso’s own fascination with objects and their expressive potential.
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Limited Edition Print
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What is Happening?
A Happening is a term used to describe artistic and theatrical events held by artists in the 1950s and 60s. These events were typically staged in gallery installations or planned environments and often involved audience participation, along with elements like lighting, sounds, and slide projections. Happenings were a precursor to performance art, which later included the active participation of the artists themselves.
