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Woodcut with hand coloring on Rives BFK White paper // Jim Dine’s Dexter's Four Robes (1992) is a richly textured woodcut print, enhanced with hand coloring. The composition features four distinct robes, each represented in bold, expressive lines and vibrant blocks of color. The robes are arranged in a grid-like formation, their overlapping forms and saturated hues creating a sense of depth and movement. Dine’s use of thick black outlines emphasizes the structure of the robes while the variety of colors—pinks, yellows, blues, and greens—lends a playful energy to the piece. The repeated motif of the robe, a recurring theme in Dine’s work, speaks to his exploration of personal identity and everyday objects imbued with emotional significance.
Dexter's Four Robes, 1992
form
Medium
Size
101.6 x 74.9 cm
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- Centimeters
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Details
Artist
Styles
Woodcut with hand coloring on Rives BFK White paper // Jim Dine’s Dexter's Four Robes (1992) is a richly textured woodcut print, enhanced with hand coloring. The composition features four distinct robes, each represented in bold, expressive lines and vibrant blocks of color. The robes are arranged in a grid-like formation, their overlapping forms and saturated hues creating a sense of depth and movement. Dine’s use of thick black outlines emphasizes the structure of the robes while the variety of colors—pinks, yellows, blues, and greens—lends a playful energy to the piece. The repeated motif of the robe, a recurring theme in Dine’s work, speaks to his exploration of personal identity and everyday objects imbued with emotional significance.
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Limited Edition Print
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Jim Dine
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Limited Edition Print
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Jim Dine
Dorian Gray In Multi-Colored Vinyl Stripe Cape, 1968
Limited Edition Print
Lithograph
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The Colorful Venus, From The Astra Suite, 1985
Limited Edition Print
Offset Print
Currently Not Available
What is Happening?
A Happening is a term used to describe artistic and theatrical events held by artists in the 1950s and 60s. These events were typically staged in gallery installations or planned environments and often involved audience participation, along with elements like lighting, sounds, and slide projections. Happenings were a precursor to performance art, which later included the active participation of the artists themselves.
