Sam Francis

Untitled, 1984

106.7 X 73 inch

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Jim Dine’s Dexter's Four Robes, woodcut with hand coloring, shows four colorful robes arranged in a grid with thick black outlines.

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Woodcut with hand coloring on Rives BFK White paper // Jim Dine’s Dexter's Four Robes (1992) is a richly textured woodcut print, enhanced with hand coloring. The composition features four distinct robes, each represented in bold, expressive lines and vibrant blocks of color. The robes are arranged in a grid-like formation, their overlapping forms and saturated hues creating a sense of depth and movement. Dine’s use of thick black outlines emphasizes the structure of the robes while the variety of colors—pinks, yellows, blues, and greens—lends a playful energy to the piece. The repeated motif of the robe, a recurring theme in Dine’s work, speaks to his exploration of personal identity and everyday objects imbued with emotional significance.

Artwork Copyright © Jim Dine

Jim Dine

Dexter's Four Robes, 1992

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101.6 x 74.9   cm
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Details

Artist

Styles

Woodcut with hand coloring on Rives BFK White paper // Jim Dine’s Dexter's Four Robes (1992) is a richly textured woodcut print, enhanced with hand coloring. The composition features four distinct robes, each represented in bold, expressive lines and vibrant blocks of color. The robes are arranged in a grid-like formation, their overlapping forms and saturated hues creating a sense of depth and movement. Dine’s use of thick black outlines emphasizes the structure of the robes while the variety of colors—pinks, yellows, blues, and greens—lends a playful energy to the piece. The repeated motif of the robe, a recurring theme in Dine’s work, speaks to his exploration of personal identity and everyday objects imbued with emotional significance.

Artwork Copyright © Jim Dine
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What is pop-art?
Artwork by Andy Warhol

What is pop-art?

Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.

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