
Details
Artist
Styles
Edition of 100 - Original lithograph on paper - Suite: Ten Winter Tools - In excellent condition // Awl by Jim Dine, from the Ten Winter Tools series created in 1973, is a minimalist lithograph that spotlights a single, upright awl centered within a softly textured, shadowy background. The tool stands isolated, with careful shading and a sense of depth that elevates its form from mere functionality to an object of aesthetic focus. Dine’s restrained use of grayscale tones and subtle detail draws attention to the craftsmanship and design of the tool, highlighting its shape and simplicity. By isolating an ordinary object in this way, Dine invites viewers to appreciate the elegance in everyday items, transforming a simple awl into an emblem of both utility and quiet beauty. Limited to an edition of 100, this piece exemplifies Dine's talent for imbuing common objects with presence and introspective significance.
Awl, 1973
form
Medium
Size
69.9 x 54.6 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Edition of 100 - Original lithograph on paper - Suite: Ten Winter Tools - In excellent condition // Awl by Jim Dine, from the Ten Winter Tools series created in 1973, is a minimalist lithograph that spotlights a single, upright awl centered within a softly textured, shadowy background. The tool stands isolated, with careful shading and a sense of depth that elevates its form from mere functionality to an object of aesthetic focus. Dine’s restrained use of grayscale tones and subtle detail draws attention to the craftsmanship and design of the tool, highlighting its shape and simplicity. By isolating an ordinary object in this way, Dine invites viewers to appreciate the elegance in everyday items, transforming a simple awl into an emblem of both utility and quiet beauty. Limited to an edition of 100, this piece exemplifies Dine's talent for imbuing common objects with presence and introspective significance.
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What is pop-art?
Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.