Sam Francis

Untitled, 1984

106.7 X 73 inch

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Fontaine Joe Syffert from Eight by Eight

Jean TINGUELY | Shooting paintings | Ink on paper available for sale on composition gallery
Jean TINGUELY | Shooting paintings | Ink on paper available for sale on composition gallery
Jean TINGUELY | Shooting paintings | Ink on paper available for sale on composition gallery
Jean TINGUELY | Shooting paintings | Ink on paper available for sale on composition gallery

Ink on paper This ink drawing documents the installation designed by Jean Tinguely for Tir (“Shooting Paintings”), performed by Niki de Saint Phalle in Milan in 1970 during the Festival of Nouveau Réalisme. Combining technical notation and schematic clarity, Tinguely outlines the protective structure, shooting distance, and reinforced panels surrounding the target. The annotated measurements and directional arrows reveal the mechanical planning behind the action, reflecting his characteristic fusion of engineering and artistic intervention. The work captures the collaborative dynamic of the Tirs, in which rifle shots released concealed paint, transforming the surface through controlled destruction. As both preparatory plan and conceptual statement, the drawing offers a concise record of the performative infrastructure behind one of Nouveau Réalisme’s most emblematic gestures.

Artwork Copyright © Jean Tinguely

Shooting paintings, 1970

form

Medium

Edition

Ink on paper This ink drawing documents the installation designed by Jean Tinguely for Tir (“Shooting Paintings”), performed by Niki de Saint Phalle in Milan in 1970 during the Festival of Nouveau Réalisme. Combining technical notation and schematic clarity, Tinguely outlines the protective structure, shooting distance, and reinforced panels surrounding the target. The annotated measurements and directional arrows reveal the mechanical planning behind the action, reflecting his characteristic fusion of engineering and artistic intervention. The work captures the collaborative dynamic of the Tirs, in which rifle shots released concealed paint, transforming the surface through controlled destruction. As both preparatory plan and conceptual statement, the drawing offers a concise record of the performative infrastructure behind one of Nouveau Réalisme’s most emblematic gestures.

Artwork Copyright © Jean Tinguely

Jean Tinguely

Meta – Matic N9, 1960

Drawing / Watercolor

Pen And Ink

EUR 500

Jean Tinguely

Shooting Paintings, 1970

Drawing / Watercolor

Ink

EUR 4,000

Jean Tinguely

Fontaine Joe Syffert From Eight By Eight, 1984

Limited Edition Print

Screen-print

USD 1,300

Jean Tinguely

Chaos I, 1973

Limited Edition Print

Etching

Currently Not Available

Jean Tinguely

Roto Zaza No. 1, 1975

Limited Edition Print

Screen-print

Currently Not Available

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What is Nouveau Realism?

Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.

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