Details
Artist
Styles
// Jean Tinguely’s Roto Zaza No. 1 (1975) is a screen print that embodies his fascination with kinetic art and mechanical forms. The composition is a dynamic, chaotic assembly of abstract shapes, mechanical components, and lines that suggest movement and energy. Vivid colors, including bold reds and blacks, intertwine with sketch-like marks, evoking a machine-like structure that appears in constant motion. The overlapping forms and energetic lines reflect Tinguely's playful yet industrial aesthetic, encouraging viewers to imagine a machine that exists purely in the imagination, where functionality merges with artistic expression.
Roto Zaza No. 1, 1975
form
Medium
Size
49.9 x 64.8 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
// Jean Tinguely’s Roto Zaza No. 1 (1975) is a screen print that embodies his fascination with kinetic art and mechanical forms. The composition is a dynamic, chaotic assembly of abstract shapes, mechanical components, and lines that suggest movement and energy. Vivid colors, including bold reds and blacks, intertwine with sketch-like marks, evoking a machine-like structure that appears in constant motion. The overlapping forms and energetic lines reflect Tinguely's playful yet industrial aesthetic, encouraging viewers to imagine a machine that exists purely in the imagination, where functionality merges with artistic expression.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
Jean Tinguely
Meta – Matic N9, 1960
Drawing / Watercolor
Pen And Ink
EUR 500
Jean Tinguely
Shooting Paintings, 1970
Drawing / Watercolor
Ink
EUR 4,000
Jean Tinguely
Fontaine Joe Syffert From Eight By Eight, 1984
Limited Edition Print
Screen-print
USD 1,300
Jean Tinguely
Chaos I, 1973
Limited Edition Print
Etching
Currently Not Available
Jean Tinguely
Roto Zaza No. 1, 1975
Limited Edition Print
Screen-print
Currently Not Available
Related Artists
Related Articles
Popular, News, Artists - February 27, 2026
The Sovereign Self: Tracey Emin’s A Second Life at Tate Modern (2026) and the Evolution of a Global Market
Tracey Emin’s A Second Life at Tate Modern (2026) redefines her legacy, signaling institutional canonisation and a maturing global market. Read More
What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
