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Published by Hermit Press, Düsseldorf. Special edition to accompany the book "Sarajevo 96" from 2001. Sarajewo 6 (2005) by Günther Uecker is a powerful and stark screenprint that forms part of a special edition series published alongside the book Sarajevo 96. Known for his evocative visual language and meditations on pain, trauma, and remembrance, Uecker uses a restrained palette and minimalist approach to render an emotionally loaded composition. At the center of a largely empty white surface, black brushstrokes converge into a chaotic cluster of marks, suggesting fragmentation, violence, or collapse. The expressive, almost violent energy of the strokes alludes to the devastation of the Bosnian War and the city of Sarajevo's tragic history. Yet within the abstraction lies a sense of motion and resilience. The image is not illustrative, but it resonates with emotional intensity. Produced in an edition of 60 by Hermit Press in Düsseldorf, each print is hand-signed and numbered by the artist, marking it as both a work of art and a quiet act of witness.
Sarajewo 6, 2005
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48 x 43 cm
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Details
Artist
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Published by Hermit Press, Düsseldorf. Special edition to accompany the book "Sarajevo 96" from 2001. Sarajewo 6 (2005) by Günther Uecker is a powerful and stark screenprint that forms part of a special edition series published alongside the book Sarajevo 96. Known for his evocative visual language and meditations on pain, trauma, and remembrance, Uecker uses a restrained palette and minimalist approach to render an emotionally loaded composition. At the center of a largely empty white surface, black brushstrokes converge into a chaotic cluster of marks, suggesting fragmentation, violence, or collapse. The expressive, almost violent energy of the strokes alludes to the devastation of the Bosnian War and the city of Sarajevo's tragic history. Yet within the abstraction lies a sense of motion and resilience. The image is not illustrative, but it resonates with emotional intensity. Produced in an edition of 60 by Hermit Press in Düsseldorf, each print is hand-signed and numbered by the artist, marking it as both a work of art and a quiet act of witness.
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What is Earth Art?
Earth art, also known as Land Art, emerged in the 1960s and 70s as part of the conceptual art movement. It involves creating artworks by sculpting the land or constructing structures in the landscape using natural materials like earth, rocks, or twigs. These works are often large-scale and emphasize the relationship between art and nature.
