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Published by Hermit Press, Düsseldorf. Special edition to accompany the book "Sarajevo 96" from 2001. Sarajewo 6 (2005) by Günther Uecker is a powerful and stark screenprint that forms part of a special edition series published alongside the book Sarajevo 96. Known for his evocative visual language and meditations on pain, trauma, and remembrance, Uecker uses a restrained palette and minimalist approach to render an emotionally loaded composition. At the center of a largely empty white surface, black brushstrokes converge into a chaotic cluster of marks, suggesting fragmentation, violence, or collapse. The expressive, almost violent energy of the strokes alludes to the devastation of the Bosnian War and the city of Sarajevo's tragic history. Yet within the abstraction lies a sense of motion and resilience. The image is not illustrative, but it resonates with emotional intensity. Produced in an edition of 60 by Hermit Press in Düsseldorf, each print is hand-signed and numbered by the artist, marking it as both a work of art and a quiet act of witness.
Sarajewo 6, 2005
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48 x 43 cm
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Details
Artist
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Published by Hermit Press, Düsseldorf. Special edition to accompany the book "Sarajevo 96" from 2001. Sarajewo 6 (2005) by Günther Uecker is a powerful and stark screenprint that forms part of a special edition series published alongside the book Sarajevo 96. Known for his evocative visual language and meditations on pain, trauma, and remembrance, Uecker uses a restrained palette and minimalist approach to render an emotionally loaded composition. At the center of a largely empty white surface, black brushstrokes converge into a chaotic cluster of marks, suggesting fragmentation, violence, or collapse. The expressive, almost violent energy of the strokes alludes to the devastation of the Bosnian War and the city of Sarajevo's tragic history. Yet within the abstraction lies a sense of motion and resilience. The image is not illustrative, but it resonates with emotional intensity. Produced in an edition of 60 by Hermit Press in Düsseldorf, each print is hand-signed and numbered by the artist, marking it as both a work of art and a quiet act of witness.
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What is Op Art?
Op Art is a visual art style that uses optical illusions to create the impression of movement, vibrating patterns, flashing, or hidden images. The works are typically abstract, with many well-known pieces in black and white. The roots of Op Art can be traced back to earlier movements like Futurism, Constructivism, Dada, and Neo-Impressionism, particularly in their use of color effects and graphic design.