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Published by Hermit Press, Düsseldorf. Special edition to accompany the book "Sarajevo 96" from 2001. Sarajewo 6 (2005) by Günther Uecker is a powerful and stark screenprint that forms part of a special edition series published alongside the book Sarajevo 96. Known for his evocative visual language and meditations on pain, trauma, and remembrance, Uecker uses a restrained palette and minimalist approach to render an emotionally loaded composition. At the center of a largely empty white surface, black brushstrokes converge into a chaotic cluster of marks, suggesting fragmentation, violence, or collapse. The expressive, almost violent energy of the strokes alludes to the devastation of the Bosnian War and the city of Sarajevo's tragic history. Yet within the abstraction lies a sense of motion and resilience. The image is not illustrative, but it resonates with emotional intensity. Produced in an edition of 60 by Hermit Press in Düsseldorf, each print is hand-signed and numbered by the artist, marking it as both a work of art and a quiet act of witness.
Sarajewo 6, 2005
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48 x 43 cm
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Details
Artist
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Published by Hermit Press, Düsseldorf. Special edition to accompany the book "Sarajevo 96" from 2001. Sarajewo 6 (2005) by Günther Uecker is a powerful and stark screenprint that forms part of a special edition series published alongside the book Sarajevo 96. Known for his evocative visual language and meditations on pain, trauma, and remembrance, Uecker uses a restrained palette and minimalist approach to render an emotionally loaded composition. At the center of a largely empty white surface, black brushstrokes converge into a chaotic cluster of marks, suggesting fragmentation, violence, or collapse. The expressive, almost violent energy of the strokes alludes to the devastation of the Bosnian War and the city of Sarajevo's tragic history. Yet within the abstraction lies a sense of motion and resilience. The image is not illustrative, but it resonates with emotional intensity. Produced in an edition of 60 by Hermit Press in Düsseldorf, each print is hand-signed and numbered by the artist, marking it as both a work of art and a quiet act of witness.
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
