Sam Francis

Untitled, 1984

106.7 X 73 inch

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Arman Fernandez’s 'Rien ne bat plus' 1977 lithograph featuring overlapping blue, brown, and black forms resembling medical instruments on white background.

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Lithograph on Arches paper - Hand-signed by the artist and numbered // Arman Fernandez’s 'Rien ne bat plus' (1977) is a striking lithograph that showcases his exploration of repetition and abstraction. The composition is dominated by overlapping shapes that resemble stylized forms of stethoscopes or medical instruments, arranged in sweeping arcs of blue, brown, and black on a white background. The chaotic layering and intertwining of the forms create a sense of movement and rhythm, while the bold, contrasting colors add a dynamic intensity to the piece. The title, which translates to 'Nothing Beats Anymore,' adds a poignant element, possibly alluding to themes of life, vitality, or the cessation thereof. As with many of Arman’s works, this piece transforms everyday objects into a visually engaging abstraction, inviting the viewer to consider the interplay between function and art.

Artwork Copyright © Fernandez Arman

Fernandez Arman

Rien ne bat plus, 1977

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56 x 43   cm
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Details

Artist

Styles

Lithograph on Arches paper - Hand-signed by the artist and numbered // Arman Fernandez’s 'Rien ne bat plus' (1977) is a striking lithograph that showcases his exploration of repetition and abstraction. The composition is dominated by overlapping shapes that resemble stylized forms of stethoscopes or medical instruments, arranged in sweeping arcs of blue, brown, and black on a white background. The chaotic layering and intertwining of the forms create a sense of movement and rhythm, while the bold, contrasting colors add a dynamic intensity to the piece. The title, which translates to 'Nothing Beats Anymore,' adds a poignant element, possibly alluding to themes of life, vitality, or the cessation thereof. As with many of Arman’s works, this piece transforms everyday objects into a visually engaging abstraction, inviting the viewer to consider the interplay between function and art.

Artwork Copyright © Fernandez Arman
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Arman Fernandez's Venus Hairspray, 1996 bronze sculpture, combines the classical Venus figure with modern objects like hairspray cans.

Fernandez Arman

Venus Hairspray, 1996

Sculpture / Object

Bronze

USD 28,000

Bronze sculpture Trompettes découpées by Arman Fernandez, featuring deconstructed trumpets arranged abstractly on a marble base.

Fernandez Arman

Trompettes Découpées, 1989

Sculpture / Object

Bronze

EUR 9,500

Arman Fernandez What Happened To The Flowers homage to Warhol mixed-media sculpture with torn colored paper fragments in Plexiglas.

Fernandez Arman

What Happened To The Flowers - Homage To Warhol

Sculpture / Object

Mixed Media

USD 45,000 - 50,000

Arman Fernandez's Candy, 1970, assemblage of doll legs with fabric skirts in plexiglass box, creating a chaotic and nostalgic visual effect.

Fernandez Arman

Candy, 1970

Sculpture / Object

Assemblage

EUR 14,850

Arman Fernandez's Violin, bronze sculpture of a deconstructed violin with parts dynamically reconfigured and intertwined.

Fernandez Arman

Violin, 1999

Sculpture / Object

Bronze

EUR 25,000 - 35,000

Arman Fernandez's Violon Spiralé, bronze sculpture of a gilded violin disassembled and reassembled in a spiral, mounted on a black base.

Fernandez Arman

Violon Spiralé, 2001-2002

Sculpture / Object

Bronze

EUR 17,000 - 20,000

Arman Fernandez's Paintbrushes, 1990, assemblage with paintbrushes in blue acrylic strokes, suspended in plexiglass.

Fernandez Arman

Paintbrushes, 1990

Sculpture / Object

Assemblage

EUR 14,500

Fernandez Arman Plate porcelain plate with overlapping fork pattern in gold, blue, and purple around border

Fernandez Arman

Plate, 1992

Sculpture / Object

Plate

EUR 570

Arman Romanticism in Gold screenprint with gold and orange strokes on black featuring fragmented violin forms.

Fernandez Arman

Romanticism In Gold, 1978

Limited Edition Print

Screen-print

Inquire For Price

Arman Grey Mood Variation screenprint with gestural blue, orange, and brown violin forms layered over a grey background

Fernandez Arman

Grey Mood Variation, 1977

Limited Edition Print

Screen-print

Inquire For Price

Arman Fernandez’s 'Aesculapius Hammer' 1977 lithograph of multiple overlapping black, blue, and green hammers arranged in a fan-like pattern.

Fernandez Arman

Aesculapius Hammer, 1977

Limited Edition Print

Lithograph

EUR 640

Arman Fernandez’s 'Hypored' 1977 lithograph featuring overlapping syringes in bold black, red, and white strokes, arranged in slanting rows.

Fernandez Arman

Hypored, 1977

Limited Edition Print

Lithograph

EUR 640

Arman Fernandez’s 'Inside Story' 1977 lithograph featuring overlapping chairs in bold black, red, and orange strokes against a white background.

Fernandez Arman

Inside Story, 1977

Limited Edition Print

Lithograph

EUR 640

Arman Fernandez’s 'Rien ne bat plus' 1977 lithograph featuring overlapping blue, brown, and black forms resembling medical instruments on white background.

Fernandez Arman

Rien Ne Bat Plus, 1977

Limited Edition Print

Lithograph

EUR 640

Arman Fernandez's Boom Boom, screen-print, overlapping black gun silhouettes with a central red handgun, exploring violence and consumerism.

Fernandez Arman

Boom Boom, 1966

Limited Edition Print

Screen-print

Inquire For Price

Arman Fernandez Shortened Trip sculpture featuring an embedded handbag painted in gold, partially flattened against a canvas.

Fernandez Arman

Shortened Trip

Sculpture / Object

Mixed Media

USD 4,550

Arman Fernandez's Untitled (Allegro Vivaldi), silkscreen print, fragmented violins in bold black, purple, and gold, dynamic movement.

Fernandez Arman

Untitled (Allegro Vivaldi), 1978

Limited Edition Print

Silkscreen

EUR 1,290

Arman Fernandez Gothic lithograph with overlapping black, red, and gray scissors creating a dense, repetitive pattern on Arches paper.

Fernandez Arman

Gothic, 1977

Limited Edition Print

Lithograph

Inquire For Price

Arman Fernandez's Passe Temps, mixed media, disassembled watch parts in a plexiglass box with faded ARMAN PASSE TEMPS text background.

Fernandez Arman

Passe Temps, 1971

Limited Edition Print

Mixed Media

EUR 4,000

Arman Fernandez's Red Tubes, 1980 mixed media painting, dense arrangement of red-painted tubes creating textured, grid-like surface.

Fernandez Arman

Red Tubes, 1980

Painting

Mixed Media

EUR 34,000

Arman Fernandez's Candélabre africain, 2003, bronze candelabrum with abstract leaf-like branches, polished surfaces, signed edition.

Fernandez Arman

Candélabre Africain, 2003

Sculpture / Object

Bronze

EUR 6,000

Arman Fernandez, Colère de Paganini, 2004, mixed-media sculpture with burned violin and bow encased in resin and plexiglass, symbolizing destruction and artistic passion.

Fernandez Arman

Colere De Paganini / Paganini's Anger, 2004

Sculpture / Object

Mixed Media

EUR 14,500

Arman Fernandez's Cavaquinho sculpture of overlapping iron and wood guitar shapes on a dark background, evoking rhythm and movement.

Fernandez Arman

Cavaquinho, 2002

Sculpture / Object

Metal

EUR 5,970

Arman Fernandez's Accumulation, Tee, mixed media sculpture with multicolored plastic tees in a transparent rectangular structure on a black base.

Fernandez Arman

Accumulation, Tee, 1994

Sculpture / Object

Assemblage

Currently Not Available

Bronze sculpture Venus au Violon by Arman Fernandez, showing Venus figure intertwined with a violin, on a marble base.

Fernandez Arman

Venus Au Violon, 1991

Sculpture / Object

Bronze

Currently Not Available

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What is Nouveau Realism?
Artwork by Daniel Spoerri

What is Nouveau Realism?

Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.

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