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Catalogue raisonné WCC.443. Melanchton III by Antonio Saura is a 1988 lithograph that exemplifies the artist’s expressive and psychologically charged approach to portraiture. The composition depicts a stylized bust wearing a dark hat and cloak, set against a muted grey background. Saura constructs the elongated face with vigorous black lines and layered tones of beige and brown, creating exaggerated circular eyes and sharply fragmented features. The distortion transforms the figure into a mask-like presence that emphasizes emotional intensity rather than realistic representation. Saura frequently revisited historical or symbolic figures in his work, reshaping them into raw and dynamic forms that reflect inner tension and human vulnerability. This lithograph measures 65 × 50 cm, was produced in an edition of 100, and is recorded in the catalogue raisonné under reference WCC.443.
Melanchton III, 1988
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Details
Artist
Styles
Catalogue raisonné WCC.443. Melanchton III by Antonio Saura is a 1988 lithograph that exemplifies the artist’s expressive and psychologically charged approach to portraiture. The composition depicts a stylized bust wearing a dark hat and cloak, set against a muted grey background. Saura constructs the elongated face with vigorous black lines and layered tones of beige and brown, creating exaggerated circular eyes and sharply fragmented features. The distortion transforms the figure into a mask-like presence that emphasizes emotional intensity rather than realistic representation. Saura frequently revisited historical or symbolic figures in his work, reshaping them into raw and dynamic forms that reflect inner tension and human vulnerability. This lithograph measures 65 × 50 cm, was produced in an edition of 100, and is recorded in the catalogue raisonné under reference WCC.443.
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What is Gestural?
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.
